摘要
「消逝的美好」指的是已經成為過去式的事件，在消逝過程中的時間性，以繪畫迴返到類似事件當初的狀態，經由繪畫對於已成過往的事實進行悼念甚至是彌補。 在繪畫創作所挑選的對象物中，皆以過去式的經驗對象為出發，無論是無法再次到達的地方、童年的記憶、蟄伏在心中感性片刻，在時間的醞釀累積下，在未來的偶然之下，巧遇某段悸動的文字或圖像，甚至舊地重遊，被吞噬於蟄伏在回憶當中那份特殊的情感中得以發酵，回憶就這樣不斷被淹沒、覆蓋，直到再次經驗。 本論文共分四章，創作者如何不斷經由圖像的閱讀，對於大量影像所出產的對象作有意識地分類，並對應回「記憶當中的對象物」，再回到經由繪畫的過程，不斷將記憶喚回、反芻，並將三者聚在單一的時空當中；闡述記憶在模糊、將消逝的過程中，創作者如何不斷經由圖像的連結、經由繪畫，再次將記憶不斷召回、再次經驗的創作過程。 第一章以影像（泛指電影、照片、資訊影像）中的情節作為開端，限縮至攝影影像中，在大量圖像瀏覽經驗後，如何在眾多圖像中篩選出作為個人創作題材，並試圖以影像的角度切入在選材上的篩選及過程。 第二章則回歸到自己生活經驗及最原初的記憶－童年時期的家庭記憶，在回溯於過往的記憶當中，一切的的真實性早已不復存在，大多源自於自我，對過往所消暱的時光所最美好的投射與想像。 第三章則是聚焦於系列作品：樂園系列－童年記憶以及以目前生活經驗對應回過去所經歷過的片刻、景象、一些生活當中所最枝微末節的事物，以「拾掇那些日子」、「遊樂園系列」作為主要談論的重點。 第四章則回到繪畫形式語言本身，特別闡述了創作者在作品當中所出現的元素：晃動殘影、白、繪畫的時間性及身體性⋯⋯等，試圖以繪畫回應記憶本身。
並列摘要
“Lost beauty” refers to incidents in the past and how lost time is recovered and returned to the original state through painting. Therefore, through paintings, one reminisces about or makes amends to the past. The theme of paintings are based upon past experience, be it places one can never visit again, childhood memories, or emotional moments deep in one’s mind. With the passing of time, one may encounter again words or images which has touched one’s heart, or even visit old places and evoke memories deep down inside. Memories continue to flood and cover one’s mind until one experiences past experience again. This study is divided into four chapters, exploring how the artist continues to extensively explore images and categorizes the different types of images to connect to past experience in her memory. Consequently, through the process of painting, the artist brings back memories and reflects upon them under the same time and space. The study depicts how the artist, through connections of images and through painting, tries to bring back and experiences and memories which have become vague or are lost because due to the passing of time. Chapter 1 begins from images (from movies, photographs or visual data) and concentrates on photographs. After extensively going through images, the focus centers on how to select a theme as the motif of art creation. The artist also reflects upon how the select process from an imagery perspective. Chapter 2 focuses on the artist’s life experience and earliest memories of childhood and family. As the artist reminisces about the past, the truthfulness to these memories is gone. What is left behind is the projection and imagination of the artist’s memory of the good old days which have passed. Chapter 3 focuses on the collection of works. The Playground Collection highlights childhood memories and how current life experience is related to different moments, incidents, images, as well as the subtleties in life. The theme of discussion surrounds One of those Days and the Playground Collection. Chapter 4 goes back to the language of painting per se, and especially highlights elements that appear in the works of the artists, including moving shadows, whiteness, and the temporal and the physical elements of painting, etc. This is an attempt to respond to memories using painting as a medium.