2012畢業製作《回─It's What I Do》角色詮釋與製作歷程之省思

Reflections on the Interpretation and Performance of“It’s What I Do”（2012）

陳奕涵(Yi-Han Chen)

指導教授 ： 王雲幼

國立臺北藝術大學/舞蹈學院展演書面報告/舞蹈研究所表演創作組/碩士(2014年)

https://doi.org/10.6835/TNUA.2014.00128

摘要

撰寫構想分四章節探討之，第一章「緒論」帶出畢業製作《回─It's What I Do》研究動機與構想。
第二章「演出製作文獻探討」表演是內心歷程的外在顯現，研究者以由外在技巧的訓練開始和由內心情緒、動機的培養為目的，探討以兩種不同的表演方式，來反觀研究者舞蹈旅程中的心理情感或外在身體技巧上的轉變。最後如何運用想像力與現實產生連結，認同角色的感受並與自我經驗連結到個人生活當中，來提昇表演者對角色揣摩的詮釋能力。
第三章「《回─It's What I Do》製作概述」說明此次主題的意念發想，從作品意念、動作發展、舞者詮釋、舞台設計、燈光音樂，與服裝等面向，進行展演舞作之作品分析。
第四章「回觀身體之旅程」研究者從與編舞者、舞伴、觀者的關係及研究者自我檢視的紀錄等兩大面向，經過覺察與內觀過後，透過記錄歷程驗證自我實踐後的身體樣貌，藉以提升自我詮釋舞作之表現能力，並以展演作品為實例，提供讀者個人經驗分享，並將身體與心智於展演歷程上的轉變，作為本文最末之總回顧。

關鍵字

舞蹈 ； 表演

並列摘要

I explore my idea of writing to four chapters. Chapter I, "Introduction" brings out my motivation and methodology.
Chapter II, "Literature Review" is the outward manifestation of my inner journey. Writing through the three pieces in my graduation performance production, I analysis the internal and external dimension of the performative body. To "start by external skills training "and" the training for the purpose of inner emotions and motivation”, these two different ways of performing help me to look back the transformation of the inner emotion and external techniques in this dance journey. Finally, I explore how to link imagination with reality, and to understand the feeling of the role and the link with personal life experience to improve my ability in interpreting the role.
Chapter III, " Back ─ It's What I Do" , is a brief description of the main idea in these three pieces, including the works meaning , movement development , dancer’s interpretation, stage design , lighting, music , and costume. This chapter is to further analyze the performance with more depth.
Chapter IV, " Reviewing the Body’s Journey " is the relationship between the author and choreographer, dance partners, and the audiences, the chapter is also includes the record of self-reflection. Though my own bodily awareness and inward contemplation, via the view recording and research, I re-examine the practice of the body to enhance the ability of self-interpretation in dance performance. I concluded by reviewing the physical and mental transformation though performances.

並列關鍵字

dance performance

參考文獻

書籍資料

平珩(1995)。舞蹈欣賞。臺北市：三民書局。

朱美玲(2000)。後現代思潮下一代現代舞之演變。臺北市：台北大航家企業有限公司。

李天民、余國芳(1998)。中國舞蹈史。臺北市：大卷文化有限公司。

李宗芹(2001)。傾聽身體之歌-舞蹈治療的發展與內涵。臺北市：心靈工坊文化。