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摘要


本創作報告中,紀錄並探討了在2014年演出的畢業製作《背叛》創作歷程;筆者身為演員,是如何分析和理解這個劇本,以及在一次又一次的排練當中,從想像角色的形象、性情、個性、人格,嘗試貼近角色到如何成為角色,期間所經歷到和演員質地衝突的困境以及解決之道。最後,以《背叛》這齣製作的創作經驗,檢視自己在臺北藝術大學戲劇學院劇場藝術創作研究所這三年的學習成果。

關鍵字

背叛 品特

並列摘要


This report documents the rehearsing process of the 2014 Graduation Production, Betrayal, and discusses how I ---being an actor--- analyz and understand this script go to figure out the role's disposition and personality, furthermore, to be closer to the character, and how the actor ---I--- becomes this role on stage as the result of my devotion. It also records those conflicts of the personalities between the actor’s and the role’s during the rehearsals, and the way to the solutions. Finally, the author reviews the learning outcomes in the past three years by examining the creation process of Betrayal.

並列關鍵字

Betrayal Pinter

參考文獻


Closer,《偷情》,2004
Harold Pinter,賴聲川譯,《今之昔》,臺北市,皇冠,1987
Betrayal,《背叛》,1983
The Godfather,《教父》,1972
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