凝視

Gaze

于敏玲(Min-Ling Yu)

指導教授 ： 吳繼濤

國立臺北藝術大學/美術學院學術論文/美術學系碩士在職專班/碩士(2015年)

https://doi.org/10.6835/TNUA.2015.00095

摘要

生活在當下喧鬧的世界帶來過多的刺激，每個人都想要跟自己多相處多一些時間，或是能夠真正感受到自我的存在。本創作自述的內容，討論自身存在，對時間與空間的思考和迷惘，尤其以隔絕外在的干擾，凝視自身思緒，與自身對話而看到自身是如何的存在的關係。而「凝視」是觀看者在經歷視覺觀看時所發生的一種分裂現象。異化導因於分裂，將圖像視為自己也視為某理想性人物所產生的分裂---既是同一個自己又不是同一個自己。透過他者的凝視來觀看自己的現象，理解成同時身為觀察者和被觀察者所產生的分裂。

本創作以「凝視」為題，分為四個章節，探討自2012至2015年的作品與創作歷程，試著以人物為主表現延伸個人的創作。從當今環境作切入，在回到自身精神的咀嚼，從中解析並發展與掌握創作回到自身中可延續的方向。
第一章針對研究主題與作品說明，確立創作動機與目的，並確定研究範圍；第二章以水墨人物造像與發展切入，分析人物視覺文化之心理學，東方女性人物畫演變；第三章從繪畫創作觀點，說明創作緣由與進化過程，帶入工筆形式的特徵；第四章作品解析中，針對作品表現形式，創作理念及過程作介紹；結論章節作為此研究與創作的心得與總結。

關鍵字

凝視

並列摘要

Living in this noisy world with irritation happening every day, people tend to have more time with themselves, trying to feel the existence of “true-self”. The content of this artwork is about individuals getting perplexed in time and space, and by obstructing interference from the outside world, having conversation with oneself, the individual can see how he exists in the relationship.
　　　“Gaze” is a phenomenon that causes dividing when observers are viewing. The division, which sees the image as self and an ideal character (giving the concept of “me, but not only the same me.”), brings difference.Gazing from the angle of the others, it is a division of an individual who both observes and being observed.
　　　The topic of this artwork is “gazing”, and it is distributed into four sections; discussing works and the creating process through 2012 to 2015, and used figures to express the artwork. Started from the environment nowadays, and gradually went back to self-conscious aspect., tending to analyze and develop extensions of creation from self.
　　　The first chapter gives reasons and illustration on the researching topic, and establishes a clear research range. The second part displays ink-painting figures and its development. Psychology of analyzing the culture of characters’ image and development of Eastern women’s figure are also shown. The third part is expressed from the view of painting, explaining reasons of the production and the progress,withchinese traditional gongbi drawing . The last chapter is focus onthe form of the work, the idea of this creation, and the creating process. The conclusion chapter sums up the study and the creation.

並列關鍵字

Gaze

參考文獻

葛路《中國古代繪畫理論發展史》。台北市：丹青圖書有限公司。頁85。

高木森(2004年增訂二版)。《中國繪畫思想史》。台北市：三民書局股份有限公司

高木森(2012年))。《東西藝術比較》。台北市：東大圖書公司

李賢文(1990四版)。《雄獅西洋美術辭典》。台北市：雄獅圖書股份有限公司

廖炳惠(2007年)。《關鍵詞200 文學與批評研究的通用辭彙篇》。台北市：麥田出版