- 學位論文
平淡敘事的深沉況味—戴宛蓁的繪畫與空間裝置
The Strong Taste of the Plain Narrative — Wan-Jen,Tai’s Paintings and Installations
摘要
在過往創作經驗中，我主要以繪畫出發，將生活中的體驗與感動，以及那些“說不上來的感覺”，把一種無法簡單明說的狀態視為一種魅惑並吸引我創作的源初動力。在創作過程中，我將記憶中深刻的感受深化為一種私密且難以言詮的狀態，並透過我作品中所呈現出的距離及模糊感，以呈現出一般大眾視覺經驗裡所感知的“平淡”。在本論述中，我藉由“平淡”切入作品，但卻不停留在一般意義下的平淡，而是在這平淡過後所流露出的關於「平淡」的一種更真實且深沉的力量。 本研究旨在闡述筆者個人創作理念，並以中國哲學的觀點及西方論證方法去切入作品畫內之意境。在第一章提及引起筆者的創作動機，記憶成為探尋自我的開端，並解釋如何在創作過程中進行對記憶的選練或拼組。第二章談論繪畫如何反映內在，以傳達平淡敘事中最真實的狀態與思維，並闡述作品的幽微性所呈現出的言外之意。第三章從繪畫作品中的取景方式開始談起，景框的選擇與畫面中的單一物件描寫，並將展出形式上的選擇詳加描述，並將繪畫作品與空間裝置作品所共同具備的特性分類說明。
關鍵字
記憶、景框、幽微性並列摘要
Painting is a principal in the forepassed experience of creating. It is my initial power of creating in life’s experience, feel indistinctly, and indefinable condition. In my creative process, I change my pointed memory into condition that is secret and indefinable. My painting’s distance and blurred to show the plain in everyone visual experience. In this study, I study my work by the plain, but the plain is not general. It is true and the strong taste about the plain after plain. This study aimed to elaborate and explain the creative idea of the author personally and study realm of Painting from Chinese philosophical point of view and demonstration method of western. The first chapter the author’s creative motivation and find my mind make a good beginning by memory. Explaining how to select and scrape for memory in creative process. The second chapter will study my mind reflection by painting and convey the true condition of the plain narrative. I will show meaning between lines by expounding my aerial works. Chapter three: To discuss picking a sight of paintings form the start and discuss how to choose the sight of picking, the things depicted in the picture and form of exhibit. To discuss collective characteristic of paintings and installations.
參考文獻
延伸閱讀
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