- 學位論文
巴爾托克《鋼琴奏鳴曲》Sz.80之樂曲分析與演奏詮釋
The Analysis and Interpretation of Piano Sonata Sz.80 by Bela Bartok
摘要
貝拉•巴爾托克 ( Bela Bartok, 1881-1945 ) 是匈牙利作曲家、鋼琴家、民族音樂家及音樂學家，也是二十世紀現代樂派最具獨創力與個人風格的作曲家。 十九世紀末浪漫樂派走入尾聲，音樂風格開始出現調性的瓦解、法國印象樂派、國民樂派、荀白克十二音列系統的創立和新古典主義的出現。後代學者將巴爾托克分類為後調性時期、國民樂派及新古典樂派；但不論何種樂派，巴爾托克著實為自己開創了一條新的道路-民間音樂。畢生採集、研究上千首民間音樂，包含匈牙利、羅馬尼亞、特蘭西瓦尼亞，更甚到北非。開闊的視野成就巴爾托克的作品具有獨創性與四海一家之精神，在音樂史上占有一席之地。研究巴爾托克的鋼琴音樂，對接觸和了解二十世紀音樂有重要的意義。 本文以巴爾托克身處的時代背景出發，探究二十世紀多元的音樂對巴爾托克造成之影響，進而了解巴爾托克的生平及音樂風格演變，最後針對巴爾托克《鋼琴奏鳴曲》Sz.80進行分析與演奏詮釋，了解獨樹一格的作曲家音樂之風采。
並列摘要
Bela Bartok (1881-1945) is a Hungarian composer, pianist, musician and musicologist and is also a composer with the most original and personal style in the twentieth century’s modernism. Romanticism in music drew to an end at the end of Nineteenth century, and musical styles in terms of the collapse of tonality emerged; French Impressionism, Nationalism in Music, Schoenberg’s twelve-tone system and neo-classicalism were created. Offspring scholars categorized Bartok into post-tonality, Nationalism and neo-classicalism. However, whatever music schools, Bartok actually created a new road for himself - folk music. He collected and researched thousands of folk music all his life, including Hungary, Romania, Transylvania, and even North Africa. Broad perspective makes Bartok’s works filled with originality and the spirit of brotherhood and takes a place in music history. It is of great significance to study Bartok’s piano music for contacting and understanding the music in the twentieth century. With the background of the era Bartok lived in, this paper explores the impact of diverse music in the twentieth century on Bartok, furthermore to understand Bartok’s life and musical style evolution and finally analyzes and interprets Bartok’s “Piano Sonata” Sz. 80 so as to learn the style of the unique music composer.