台灣竹管樂器研究-以品仔、洞簫、鴨母達仔、吹甲為對象

竹管樂器是一種古老的樂器，在台灣民間音樂中運用的相當普遍。台灣所處的亞洲地區為世界竹子的主要分佈區域，因此，就材料取得上具有相當的便利性。本論文以台灣竹管樂器品仔、洞簫、鴨母達仔、吹甲為主要研究對象，先從竹文化之形成、竹管樂器的分類及發聲原理談起，進而探討樂器的命名與文化特徵、型制與演奏方式、民間音樂中的功能運用、樂器藝師與竹管樂器製造工藝等面向。而使用這些竹管樂器的樂種有南管、北管傳統音樂以及歌仔戲，這些流傳於台灣民間的傳統音樂藝術，相互影響著彼此，透過對於竹管樂器的理解與探討，有助於深刻認識台灣民間音樂文化的多樣貌與發展。

關鍵字

台灣民間音樂；竹管樂器；品仔；洞簫；鴨母達仔；吹甲

並列摘要

The bamboo flute instruments and their making had ancient origins, and were common members in Taiwan traditional music instrument family. Located in the south-east Asia, bamboo here in Taiwan Island grew more than any other places in the world so as to be an easily accessed material to make these four kinds of bamboo flute instruments as following: Phin-a , Tōng-siau , Ah-bo-ta̍t-a and Tshue-ka, which would be the main subjects discussed in this paper. Firstly and foremost in this paper, it would be taken into consideration of the historic development of bamboo culture, the catagorization of bamboo flute instruments, and the way how they produce sounds. Secondly, it was to sort out their organological basis including: the denominations of the instruments, their specific cultural features, their constructions and performances, how to apply in traditional folk music, the craftsmanship and the art of bamboo flute instrument manufactures. These instruments were so essential that they were extensively applied in traditional Taiwanese folk music such as Nan-guan, Bei-guan, and Taiwanese opera music, which were all closely interrelated. It was by this researches of these four bamboo flute instruments to grant us a thorough knowledge about the folk music culture in Taiwan.

並列關鍵字

Taiwanese traditional music ； bamboo pipe instruments ； Phin-a ； Tōng-siau ； Ah-bo-ҩtat-a ； Tshue-ka

參考文獻

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連橫（1962）。《台灣通史》（第四冊）。台北市：台灣銀行經濟研究室。

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邱大昕（2009）。〈為什麼馬殺雞？—台灣百年視障按摩史的行動網絡分析〉。《台

游竣傑、陳周宏（2005）。〈臺灣桂竹曲笛之研究與製作〉。《林產工業》，24(1)，

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台灣竹管樂器研究-以品仔、洞簫、鴨母達仔、吹甲為對象

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