摘要
創作是與生活貼近的，關注環境與情感的連接，交錯來回於兩地的生活，不斷改變座標，或許這也是大多數現代人身處的狀態。面對如此，我欲尋覓那一方歸屬感。 生活經驗的種種事件，不管是人事物，都是拼組成日常地景的可能，從「日常地景」概念延伸創作，更動的它形成了一種價值觀，豢養著文化記憶，是一直變動與進行中的生態，不斷的創造與破壞循環在地方。創作試著重建或是私人或是與大眾共有的地方情感。 第一章緒論針對本論文主題，目的與創作動機作簡單說明，並確定創作研究範圍；第二章從風景與地景以及日常地景的名詞解釋開始帶入，用文化地理學的角度去討論創作中所觸及的「日常地景」概念；第三章，簡介水墨山水畫的脈絡與視角，而後討論與風景，西方風景畫，再到自身的創作關係；第四章說明創作的形式與技法，以及相關材料應用說明；第五章是作品介紹與圖錄，包含系列作品的創作過程動機與表現形式；最後以結論章節作為此研究與創作的反省與總結。
並列摘要
Art creation is a part of life, being all about the connections between the environment and our emotions. Most people in the modern age travel between two destinations and continue to shift from one place to another. However, to me, I would rather seek a sense of belonging. Elements in our daily lives, be it people, incidents or objects, make up the so-called “daily landscape”. My artwork begins from “daily landscape” and forms a kind of value that feeds into cultural memories. This is an ecosystem that continues to evolve while locally creating and destroying various cycles. By creating art, I try to reconstruct the emotions individuals or the general public have of a specific place. In the present study, Chapter 1 covers the topic, purpose, and motivation behind my artwork and also defines the scope of research. Chapter 2 begins from the definition of scenery, landscape and “daily landscape” and discusses the concept of “daily landscape” from a cultural geographical perspective. Chapter 3 introduces the context and perspective of ink wash landscape painting and its relationship with landscape, western landscape painting, and my personal art creation. Chapter 4 explains the form and skills of artwork and the application of different materials. Chapter 5 covers the introduction and catalogue of my artwork and includes the motivation and form of expression behind art creation. The chapter ends with a reflection and conclusion of the present study.