編織雕塑─空間之擴張與蔓延

作者使用不鏽鋼線素材創作編織雕塑，利用傳統的編織及針織技法來創作一系列的編織雕塑作品。混合金屬編織材料及鉤針編織的金屬網子，附加及組合雕塑作品，鉤針的方式讓金屬作品不再只有鑄造、焊接的方式雕塑作品，也使金屬作品少了焊接的接縫，可以一針一針連續不斷地鉤勒編織雕塑出形體。擺脫量感與體感的雕塑元素，作者嘗試表現構成主義中雕塑作品在空間中延伸的特性及觀念，及具有穿透性的雕塑作品所呈現的「內體空間」變化。金屬網表現身體皮膚的延展及血液的流動感，利用進行中的針織及編織過程創造時間的隧道，同時串接過去和未來。作品材料的選擇過程是一連串的嘗試：軟度、硬度、彈性、光澤、質感、重量等元素……，作品的形式及架構在創作的過程中，不斷的改進及變化，作者嘗試了一些金屬線材料應用於編織雕塑創作的研究，希望能應用於未來的創作發展中。

關鍵字

編織；雕塑；空間

並列摘要

I did many expressions of the knitting fabrics in knitting sculptures, which are made of stainless steel threads. Sequence of ideas about contemporary fiber arts are expressed by the conventional skills such as knitting and sewing. The mixed metal fiber materials and the handmade stainless nets are applied to my sculpture works. The knitting nets are used as model components to avoid melting､casting or welding. Therefore, the metal sculptures have no melting scares. I try to stress the three-dimensional extensity of Constructivism. The nets can express the body skin and blood vessels. The sewing and gluing process builds the time tunnel and connects the past and the future. I have many intuitive thoughts in the trials of metal threads and material choosing. The forms and the skeleton of my works are being improved and revised during the knitting and weaving. I do some research in the metal threads weaving creation works to discover more ideas which may be applied in my future fiber art development.