秘密平面-陰影情緒的影像存在

Mystic Planes-Imagine Existence of Implicit Emotions

蒲帥成(Shuai Cheng Pu)

指導教授 ： 袁廣鳴

國立臺北藝術大學/電影與新媒體學院學術論文/新媒體藝術學系碩士班/碩士(2012年)

https://doi.org/10.6835/TNUA.2012.00101

摘要

秘密平面-陰影情緒的影像存在
摘要
指導教授: 袁廣鳴
研究生: 蒲帥成

這篇論文中我會以文字組織創作當時的情境、過程、背景以及相關的文字創作，進而提出論述。作品論述的可能性，在於論述文字自身的可能性，跟作品的關係不是一條縱線的從屬關係，並非直接解釋作品，而是一條水平橫線的位置，虛構撞擊，平面相等。對我來說，論述可能可以造成跟作品一樣的效果，文字所描述是一個文字空間，給觀眾一個思想意象。
秘密平面計畫論述部分主要是深度剖析生命、創作以及環境三者之間交互關係，以及現況所造成的壓迫。提及自我灰暗的人生態度，灰暗顏色如何在媒介社會底下產出。並指出「秘密」這樣的字眼，封印住了感知記憶。秘境如何透過情緒起伏，控制身體。以大環境來說，2011年中後期，世界人口總數量將突破70億大關。部分人類居住地狹窄，使人依附所在空間的狀態繼續演化，變得更加朝情感極點趨近。
＜多層浸潤＞此命題，描述我對情緒性表現方法的運用狀態，意識每分每秒都在更易起伏，如同亂數一樣無定值。事件產生，我的意識立刻相應出好幾種意象，而各種意象又如同病毒一般成倍數成長。這部主要影像作品，是一個以不斷感受性的、過敏的身體感覺所構成的影像。並以影像如何浸潤我的感知記憶，甚至未來思想做為總結。另外提出造就黑影的「光」的位置，並且轉過身來面對明亮。並回溯到過往身體的感覺，身處醫院以及學校理性光明之下，所造就出的陰影形象，如何徘徊在過往與現在的時空。接下去以作品的創作實踐方法，為論述的章節段落，談到一個夢境插入現實的錯亂，與虛無腳本的創作狀態，以片段創作文字的力量來平行於影像作品。
過去作品回溯內容包括靜態照片的獨白，以及三部實驗動畫作品跟一件影像裝置作品。照片以私密物崇拜作為主題，把私密空間憑藉照片丟向公共。動態影像部分我希望能粉碎實拍影片與動畫的界線，以實驗短片的方式來達成流暢的藝術語言。並非以劇情來做為影片結構，而是由一連串的感知體驗來做為創作的支架，敘事與非敘事並行。我的作品，並不是在反媒體的，相反的是在歌頌甚至是順從媒體世界所給予我們的環境，我透過順從它的方式再反向進入媒體社會當中，以藝術的方法發出聲響，藝術從來不會是無用的，藝術無用論是把藝術放在崇高的地位上面觀看的人，得出的狹隘看法。

關鍵字

影像 ； 空間 ； 自我 ； 感官知覺 ； 錄像藝術

並列摘要

Mystic Planes-Imagine Existence of Implicit Emotions

Graduate Student： Shuai-Cheng Pu
Thesis Advisor： Yuan Goang-Ming

ABSTRACT
In this thesis I organized vocabularies to depict situation, procession, background and correlative text creation of all my creation works. My writing is not directly interpreting what I did, on the contrary my words are in a parallel line not crossing and the line of my works. In my opinion writing can make the same creation influence from art works. Words can also produce a space of expression giving an imagination for the spectators.
Mystic Planes project deeply profiled the interaction among life, creation and environment, and dissected the pressure from the current situation. Mentioned about how implicit my life attitude was, and how gray color emerged from the bottom of the media society . Also pointed out the word as “Mystic” imprinted the memory of sensce. And how did the “mystic boundary” control the body through fluctuation of the emotion. This year ( 2012) the population of the earth is over 7 billions, many people’s dwelling space is extremely narrow leading to the evolution of the manner that coming from the people attached to their inhabitant, leading to the emotion to toward to the bipolar utmost points.
Multi-layer infiltrating described the method used for emotional expression .The conscious undulate every second which is like various value generated randomly. When an event occurred my conscious would generate many images simultaneously, and they would grow multiply resembling virus. The primary video piece in my thesis was an image constituted by continuously sensing and over sensitive body, utilizing of how the image infiltrate my memory and thought of future as the ending. Author also mentioned about the luminary source that generated the shadow and then turning the body to face the luminary. Then author trace back the feeling of his body, in that time the shadow figure made by the luminary -like hospital ,school and the feeling switching back and forth in between time and space of now and past. Then I discussed a dream that was inserted by reality, a creation nihilistic script, a strength of the creation of segments of sentences paralleling to the video creation.
Past work recalling is a monologue including still photos, three experimental animations and a video installation work. The subject of photography works is the worshiping to private objects, author threw the private space to the public by photos, he want to smash the boundaries between filming and animation. Author used experimental short film to achieve fluent artistic language. Not using the storyline for the film structure but using series of sensation to compose the creation, paralleling narrative and non-narrative structure. My work aren`t anti-media, on the contrary it gave praise and even obedient to media world , through the obedience of the way of media world to go into the media sociality and by using art methods to express. Art is never will be useless, looking art as useless is only by the people who postulate art to be too esteemed to look up owing to their constricted viewpoint of art is useless are the people who postulate art is esteemed receiving constricted viewpoint.

並列關鍵字

Image ； Space ； Self ； Sensation ； Video Art

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