沉默的傾訴

摘要「語彙與情感表現」— 透過平常對於人的肢體行為觀察，以“少女“作為探討的主軸，從不經意的肢體動作、文字語言關係的訊息傳達語彙的轉換之間，進行情感抒發的創作。本創作論述是筆者自我分析及探究2009年至2011年以來的作品，陳述這三年在創作上對「雕刻的肢體語彙」這個議題所做的研究，並且釐清創作上的形式脈絡與理念思維，全文有四個章節。第一章，緒論的部分主要是闡述創作上的研究動機、目的，以及研究範疇與方法。第二章，以「雕刻語彙結合情感傳遞」作為論述的主要議題。將筆者在記憶中曾經接觸到的情感經驗，及其所影響到的內在心理變化；分析自我對於觀察情侶日常的肢體行為，如何轉化為個人語彙創作的根源。創作了「語彙」系列作品。旨在探討情侶間溝通不只用言語傳達亦可從肢體動作傳遞心裡想法的意象，再透過雕刻作品所表現出的肢體美感、以及當代具象雕刻本身的材質語彙，進行一系列以情感傳遞為主題的雕塑相關作品的研究與分析，進而了解個人創作在雕塑領域中所處的位置。第三章，從「造形觀念探討」是針對「語彙」系列作品：《肢體形像描繪》、《肢體造形語彙傳達》與《造形與情感表現》，初期的木雕單純在表現肢體造型，表達隱喻性的描述，經過一段時間對作品的閱讀與思索後，在造型上做某些的轉化，藉著形體姿態的變化闡述不同的心理情境。不斷思索肢體語彙與情感間的相互關係，反覆推演與反省，並詳述各階段之創作原由、演繹歷程及作品的實踐過程。第四章，「造型實踐」，論述2009年以後在作品造型與結構上的發展與演變。分別從材質、造型、空間展呈上分析形式技法與理念發展，作品的呈現就如同對於一個人的認識到了解、熟識的經驗過程感受，而在雕刻創作上的表達則是希望透過自然木質的物性，讓簡單造形在彼此密切的連結與共存關係下，體現一種人與人之間相處與關係的牽結，進而展現出自然物性與精神質性相融的生命力。結論為本創作論述的研究心得整理，以及未來的發展與期望。後記為本創作論述的展覽成果及老師建議。

關鍵字

雕刻

並列摘要

Abstract Vocabulary and Emotional Expressions - A study based on the regular observation of people’s body movements. With “girl” as the central theme, this work about emotional expression investigates the conversion and transmission of information in the relationship between inadvertent body movements and written texts. Based on the author’s observations and analyses of artworks he created between 2009 and 2011, the four sections of this thesis will investigate the theme, “Vocabulary and Emotional Expressions,” and clarify the artistic contexts and creative concepts behind the artist’s works. Chapter one. The introduction mainly describes the research motivation, purpose, and scope of study and methods regarding this artwork. Chapter two. “Combining sculpture vocabulary and emotional transference” serves as the main topic for this discussion. The influence of emotional experiences and memories on changes in the author’s inner psychology is used to analyze his observations on daily physical behavior between couples, and how this became the source for a personal, creative vocabulary. His series of works, Vocabulary, explores the way in which lovers are able to use physical movements to convey their thoughts to each other silently. Then, through the sense of physical beauty expressed by sculpture works, as well as the material vocabulary of contemporary figurative sculpture itself, he conducts a series of studies and analyses on sculpture-related works that focus on the theme of emotional transference. With this approach, he attempts to understand where his own works stand in the field of sculpture. Chapter three. An “exploration of modeling concepts” is used to explore the series of works, Vocabulary: “depicting body imagery”, “conveying a vocabulary of body shapes” and “modeling and emotional expression”. Earlier wood carvings purely used physical shapes to convey a metaphorical sense. After a period of reading and contemplating the works, he made a few conversions to their shapes, using changes in body postures to describe different psychological conditions. Constantly contemplating the relationship between physical vocabulary and emotions, he undergoes a repetitive process of deduction and reflection, while detailing his creative intentions across various stages and interpreting the course and practice involved for his works. Chapter four. “Creating forms” serves as a discussion on the development of the form and structure for artworks the author created after 2009. It investigates the development of artistic techniques and concepts by focusing on material, form, and spatial relationships. A piece of art presents a level of familiarity one shares with another individual, as well as the emotions felt. By bringing out the natural character of wood, the sculpture’s simple forms are intimately intertwined to express the interpersonal relations between people. Through such an approach, the works express a vitality that is achieved through the merging of physical properties with spiritual qualities. The conclusion consists of a summary of the research and discusses future development. The postscript consists of a compilation of exhibition results and recommendations by instructors