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摘要


關注的議題以「淨化 / 迴向」為主題,作品試圖將二十多年生活中學習到和所關懷的事物做結合,像是探測術 、祈禱、粉筆做畫、幾何、形線畫 、……等,結合關心淨化地球的各種污染,一起融合在這些創作之中。 將每日例行的祈禱,分別為風、火、水、土之形象與帶有祝福的圖形,畫在黑板上呈現,並以祈禱的形式做為場景,期能給予一種觀看的形式,讓觀者置身在祈禱的心靈場域。 圖像的產出過程使用探測術,思考將無形的各種祝福具象化,讓創作的過程像是驚喜不斷的發生,我看待這些如同上蒼的禮物。由探索創作檢視個人意識發展的投射,與過去所學習的是如何影響內在的價值觀與人生的變化。 雖然只是個人創作,期盼創作能真實表達出對我們所共處的環境祝福,乃至觀者也能以點燈般將祝福擴大。 各章節以簡約的單字來代表,有兩個主要原因:其一,原來的字意已經含括,或是表達更深更廣;其二,組合每章節的標題有連結的相關性,饒富意趣。茲於各章解說之。

關鍵字

威權時代 符籙 自發主義 儀式性

並列摘要


The main topic of my work concerns issues about 「purify/ Pariṇāmanā」Furthermore, my work is stemmed from things I concerned and life experiences I have in the past twenty years, such as Dowsing , prayers, chalk drawing, sacred geometry, form drawing …etc., and also associated with the concerning of purification for the globe pollutions. I integrated all of them into my creations. I divided my daily prayers into images of the four elements, which are earth, wind, water and fire, as well as the patterns with blessings. I then present all those images and patterns by drawing them on the blackboard. I also utilize the form of prayer as the main scene of my work. Hopefully, I am able to create a viewing formality for viewers, which can lead the viewers to lay themselves into the field of prayers. In order to form my work, I thought of concretizing the non-form blessings into concrete form. By searching and exploring various images, I discovered a lot and what I discovered did surprising me a lot. I believe that is a gift from heaven. Moreover, by viewing my own work, I am able to inspect the development of individual consciousness, as well as things I have learned in the past, and to be aware of how those things affected my inherent value, and changed my life. Although this is only personal creation, I hope that my creation could present my deepest blessings to the surroundings we are in, meanwhile, to have the viewers to appreciate the environment and what we have. By the most profound and genuine blessings from people, we can make a major difference to the environment, to the people, and to the mother earth. In my thesis, there are two main reasons for using simple words to present all of the chapters, which is the word itself originally comprised or implied an extensive meaning, the other is the correlation between titles of each chapters.

參考文獻


《世界名畫家全集傑克森.帕洛(Jackson Pollock》,藝術家出版社。
中文書目
《藏傳佛教象徵符號與器物圖解》,羅伯特•比爾/著,向虹笳/譯,時報出版。
《色彩心理學 :追尋牛頓和歌德的腳步》, 大山正/作 , 牧村圖書 1998。
《阿多諾美學論: 雙重的作品政治》,陳瑞文/著,五南出版。

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