舒曼《幻想曲集》作品十二之樂曲分析與演奏詮釋

The Music Analysis and Interpretation of Robert Schumann's Fantasiestucke Opus 12

陳玨名(Chueh-Ming Chen)

指導教授 ： 蔡佳憓

國立臺北藝術大學/音樂學院學術論文/音樂系碩士在職專班音樂專業師資教育組/碩士(2013年)

https://doi.org/10.6835/TNUA.2013.00126

摘要

十九世紀歐洲浪漫主義思潮蓬勃發展，舒曼繼承了德國古典音樂的傳統，也將浪漫主義的創新融入。他創作的音樂作品，其深厚的文學根基結合於音樂之中，這樣極具詩意性的作曲家、音樂評論家，對後世影響深遠。
鍵盤音樂是舒曼作曲生涯中的重要創作，在曲式上他喜愛用特性小品及套曲，《幻想曲集》Op.12是具備文學詩意理念的鋼琴套曲之一，舒曼在此曲聚集濃厚的個人主觀、特質、情感的創作方式，伴隨著標題塑造出幻想性。
本文共分為五章。第一章從瞭解舒曼出生背景及生平的經歷及人格特質狀態來探討。第二章將鋼琴作品分期、分類，能清楚知道舒曼鋼琴作品的脈絡及形成。第三章鋼琴作品《幻想曲集》Op.12，先概述幻想曲，接著介紹其創作背景，再從特性小品及標題性、雙重性格來呈現舒曼鋼琴作品的特色。第四章就深入的分析此曲中的八首小品。第五章針對舒曼如何表達此曲是符合自然、具有詩意性及音樂中的雙重性格和在樂曲中流露出他對妻子克拉拉深刻的情感等特色來探討。最後將論文作個總結。

關鍵字

鋼琴套曲；《幻想曲集》Op.12；雙重性格

並列摘要

The Romantic Movement was widespread in Europe in the 19th century. Robert A. Schumann inherited the tradition of German classical music, and he also embodied the innovation Romantic spirit in his music. Schumann had a profound knowledge of literature, and his music is characterized by the fusion of literary and music ideas. Known as a poetic composer and music critic, Schumann deeply influenced many musicians after him.
In Schumann’s career as a composer, keyboard music was the most important genre of his work. He loved to write character piece and piano cycle. Fantasiestucke, Op.12 is one of the piano cycles that feature poetic concept. In this fine work, Schumann expressed his subjective views, personality, and emotions, and he created a sense of fantasy based on the title of each piece accordingly.
This thesis is divided into five chapters. The first chapter explores Schumann’s background, experience of life and personality. The second chapter classifies his piano works by time and genre so that we have a better understanding of the background of his piano works and how they were created. The third chapter “Fantasiestucke, Op.12” briefly discusses the work “Fantasy”, background of this work, and the characteristic features of Schumann’s piano works in terms of character piece, programme music, and dual personality presented in his work, which is a reflection of the composer’s split personality. The fourth chapter is a detailed analysis of the eight pieces. The fifth chapter focuses on the natural, poetic feature of this work, the dual personality embedded in this work, and his love for his wife Clara which is expressed through the music. The final concludes this thesis.

並列關鍵字

Fantasiestucke Op.12；character piece；programme music

參考文獻

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劉安琪著。〈舒曼《兒時情景，作品十五》樂曲分析與演奏詮釋〉。臺北藝術大學音樂系碩士在職專班音樂專業師資教育組碩士論文，2011。

Schumann, Robert. Early Letters of Robert Schumann, London: George Bell and sons, 1888.

李念蓁著。〈舒曼《克萊斯勒魂，作品十六》樂曲分析與演奏詮釋〉。國立臺北藝術大學音樂系碩士在職專班音樂專業師資教育組碩士論文，2010。