- 學位論文
完美裁量-蔡金樺創作意象詮釋
Perfect Measurement－Explanation of Female Images
摘要
摘要 人藉由身體存在於時空之中，除了肉身存有，也具有心靈活動。身體已經成為自我認同與表述的工具，而身體之各種生理或心理的、發散與收斂的行為表現，也透露著個體的生命經驗、價值思維等受到外在世界影響所致的線索。本論述以畢業個展名稱：「完美裁量」為標題；「完美裁量」系列作品係以再製之攝影影像傳達身體處於社會處境中所反映的權力施加痕跡，而透過本創作論述之書寫，釐清近年來縱向之創作脈絡、並整理橫向之相關學者理論及藝術家作品。 在第一章「緒論」裡，簡述了創作背景與動機，作者自大學時代起持續關注關於身體內外表現的題材，進入研究所之後的創作則從較為傳統的油畫形式轉向到以影像媒材表達；並簡單說明近代圖像文化之演變。 第二章「創作對應之身體觀」裡，探討作者創作意圖中身體的定義，援引梅洛龐蒂、傅科等學者關於身體現象學、社會學的部份說法，界定身體是一個中介於內在心靈與外在世界之真實存在場域，而此場域受到身體內層的思想活動與環境外力影響，互動牽引而拉鋸著，表現出特定文化養成下的各種合宜舉止，對於身體肉身與心靈的各種干預成了一種改造計畫。 第三章「藝術相關參照」，列舉與本創作脈絡涉及之觀念及相關藝術家作品，並作簡要之分析比較。 在第四章「創作脈絡與作品議題」裡，詳述了作者過去主要系列作品的思考脈絡，從自我內省出發；到思考自身與外在世界之對應關係；進而深究身體所經驗的自他差異與認同歷程，描述對於來自環境權力的支配之下，較為女性角度的、內在情感的抗衡。透過身體的不適經驗，展現某些強忍、抗爭的痕跡。並進一步分析了創作系列的作品內容與製作，清楚看出作者環繞著關於身體議題的思考累積，重現創作演進過程。 第五章「結語」，歸納了作者對於身體與身分的思維，並規劃了後續創作想像。
並列摘要
Abstract Person exists in time and space by the physical body, in addition to that, it also involves with spiritual activities. The body has become a tool for self-identity and expression, in which a variety of physical or psychological, divergence and convergence of behavior also revealed that an individual's life experience, the value of thinking, such as the impact caused by the outside world . This dissertation titled "Perfect Measurement" consist of series of works based on the photographic image that reflect the imposition of power traces onto the body in the social context; and through the creative writing discourse, It wishes to clarify that over the recent years, on the development of the creativity and the organization on the relevant theory and works, by artists and scholars. In the first chapter "Introduction", it briefs the creative background and motivation, from the time of the author entered the University, whom has sustained attention on the expression of the subject both inside and outside of the physical body. In the Post-Graduate study, the author moved from the form of oil painting- a more of traditional forms of media, and turned to graphical expression; and briefly explained of the nature of the modern image of the evolution of photography. In the chapter II "Correspondence to the Physical Concept of Creation", the authors explore the creative intent of the definition of the body, citing parts of Maurice Merleau-Ponty, Foucault and other scholars on the phenomenology of body, sociology, that the body is defined as an intermediary in the intrinsic soul and the outside world of the real field, and this inner field of physical activity and the environment outside the ideological impact of the interaction in between, which under a specific culture to develop a variety of appropriate behavior, that the physical body and the soul transformation into a variety of intervention programs. The third chapter " Relevant Precedents Study", citing three art works that associated with the author, namely Barbara Kruger, Cindy Sherman, Vanessa Beecroft , and with a brief comparative analysis. Chapter IV, "Creative Thought and Reflection", the author details the thinking of the three series context, starting from the self-introspection; to the thinking of inner self and the relationship (interaction) between the outside world; and further more on the body experiencing the difference by his/her history and identity, describing the environment from the disposal of power, coming from more of the feminine point of view, to counter the inherent emotional, and physical discomfort through experience, to show some endure, protest signs. Then, further analysis of the three series of works with the production of content and creative details of the manifesto, it can be clearly seen that the author’s intention and implication around the body and how the thinking has been accumulated and then evolved to its final forms. The final chapter "Conclusion", the author has summed up the thinking of the body and identity, and plan a follow-up creative imagination.