透過您的圖書館登入
IP:3.144.116.159
  • 學位論文

穿越三層故事:臺北市河堤國小演/教員社群之實踐

Throughout the Three Stages:The Community of Actor/teachers in the Taipei City Embankment Elementary School

指導教授 : 容淑華

摘要


本研究以臺北市河堤國小的演/教員社群作為研究個案,探討演/教員社群的實踐歷程,連結劇場與生活,促成生活轉化的可能性。本研究從演/教員社群的成員、參與教育劇場的師生、學校文化三個面向,結構論述,並綜合選用多種資料蒐集的方法,如:參與觀察、敘說訪談、問卷調查等,開展研究的多方觀點。 以Moreno角色理論的觀點,作為主要的研究理論援引,解析演/教員如何透過積極運作三層故事--生活故事、戲劇故事、互動現場的故事,促成個體從取得角色、扮演角色,走向創造角色,擴展自我的生活角色。 研究結果發現,藉由參與教育劇場的活動,將可擴展個體的生活腳本。一、角色扮演促進演/教員的自我理解與開展;二、身份的轉換澄清演/教員的自我價值觀;三、教育劇場連結生活學習與藝術;四、演/教員社群作為新型態的藝術教育團隊。當個體在教育劇場的經驗中,主動感知自我的生活問題,即意謂著個體肩負起扮演自我人生腳本「主角」的責任,其轉化的歷程也就於焉展開。

並列摘要


This thesis aims to explore the practice of actor/teachers connecting theater and life leads to the possibility of self-transformation by the case study of the community of actor/teachers in the Taipei City Embankment Elementary School. Based on the the community of actor/teachers, teachers and students of the TIE programme, and the school culture, this thesis structures the explorative context and selects the multiple methods of data collection such as: participant observation, narrative interviews, questionnaires, etc., to carry out the thesis of diverse viewpoints. Based on the viewpoint of Moreno’s Theory of Roles, this thesis discusses how actor/teachers operate the three stages actively: the real life, the drama, and the interactive site of TIE to facilitate the self to take roles, play roles, and create roles thus extending the self role catalogue. The findings of this thesis are as follows: 1.Role-playing can promote the self-understanding and the self-development of actor/teachers. 2.Role- shifting can clarify the self-values of actor/teachers. 3.TIE is a bridge connecting life-learning and art. 4.The community of actor/teachers is a new type of the art education team. By participating TIE, the self perceives the self-life problems actively, which means that the self takes up the responsibility of the ‘protagonist’ of the self-life script thus setting out on a transformation journey at the same time.

參考文獻


王品尹(2003)。「性別教習劇場」展演心得:細數曾經。婦研縱橫,68,77-81。
朱靜美(2011)。集體即興創作:約瑟夫•柴金與開放劇場。臺北:國立臺灣大學出版中心。
陳姿仰(2003)。教習劇場四月天∼台大「性別教習劇場」之展現。婦研縱橫,68,73-76。
陳韻文(2010)。移動的觀點──記【開城.入府、戲台灣】 歷史、戲劇與當下的三方通話。戲劇學刊,7,383-388。
沈玲玲(2004)。台南人劇團經營、發展與作品評析之研究:1987-2004(未出版之碩士論文)。國立成功大學,臺南。

延伸閱讀