- 學位論文
外臺歌仔戲「活戲」演出之曲調運用與音樂即興研究
The musical improvisation and use of tunes for outdoor Taiwanese Opera "Live drama"
摘要
歌仔戲是臺灣土生土長的傳統戲曲，由於社會經濟結構的變動，歌仔戲也從內臺、外臺、廣播、電影、電視歌仔戲，演變到目前以廟會演出為主要表演型態的外臺歌仔戲。外臺歌仔戲強調的是與觀眾互動與交流，所以會因時、因地、因人而作不同的即興演出，又被稱作「活戲」。 外台歌仔戲表現的即興演出中，曲調的運用佔有極重要的部份。而目前外臺歌仔戲之後場樂師，普遍年齡老化，又因傳統樂師多由師徒制口傳相授，年輕愛好者與新進藝師要了解外臺歌仔戲曲調的運用模式，確實比較困難。 故本文將從講戲人（說戲先生）、武場鼓佬、文場頭手與演員，四種不同角度，做系統化的整理。並以台中國光歌劇團為觀察對象，驗證外臺歌仔戲曲調運用的動機模式。以利歌仔戲的愛好者與新生代藝師對歌仔戲音樂曲調的活用有深入認識。
並列摘要
Taiwanese opera is a native of Taiwan traditional opera, due to socio-economic changes in the structure of the opera from the indoor performances, outdoor performances, radio-opera, movie-opera, television-opera, the evolution of the temple performances as the main types of performing outdoor Taiwanese opera. Outdoor Taiwanese opera is the interaction and exchanges with the audience, and so may change over time due places and people for different improvisational performances, also known as the "live drama". Outdoor Taiwanese Opera performance of improvisation, the use of tunes occupies a very important part. Outdoor Taiwanese Opera musicians, the general aging, because the traditional musicians more than the oral tradition, it is really diffcult for young fans and new artists to understand the use mode of outdoor performances in tune. Therefore, this article will talk about the play narrator (that play Mr.), percussion leader, melody instrument player’s leader and actor, four different angles, to make a systematic form. Taichung Guo-kuang Opera Troupe as my observed objects, I verified that the use of outdoor Taiwanese opera tunes motivational patterns is useful for opera fans and the new generation instrument player. Moreover, they can understand the active use of the outdoor Taiwanese opera tunes more easier.