蕭邦《馬祖卡風格輪旋曲，作品五》之研究

Research of Chopin’s Rondo a la Mazur, Op 5

鄒銘軒(Ming-Hsuan Tsou)

指導教授 ： 林文菁

國立臺北藝術大學/音樂學院學術論文/音樂學系碩士班/碩士(2010年)

https://doi.org/10.6835/TNUA.2010.00116

摘要

蕭邦畢生大多創作鋼琴曲，並且也創作了許多具有波蘭民族風格的馬祖卡舞曲、波蘭舞曲，而蕭邦的創作技法除了在當代具有重要代表性以外，也承襲了巴洛克、古典時期的音樂風格。
本論文首先敘述蕭邦的創作風格、創作技法發展，更專注於蕭邦的早期創作，分別討論蕭邦早期所處的波蘭華沙音樂環境及音樂發展，創作技法的演變，以及具有民俗風格的馬祖卡舞曲探討。並且以早期作品中的《馬祖卡風格輪旋曲，
作品5》來做深入的分析、詮釋以及演奏探討。

關鍵字

蕭邦 ； 輪旋曲 ； 馬祖卡舞曲

並列摘要

A Research about Chopin's piano works in his early life. After the inspiration from styles and composers of baroque and classical period, Chopin also combined Polish national musical materials into music.
The Research discuss about Chopin's early piece "Rondo a la Mazur, Op 5". Study on Chopin's biography, musical styles, composition skills, and Polish musical style, mazurka styles. Finally represent the analysis, performance and interpretation of the piece.

並列關鍵字

Chopin ； Rondo ； Mazurka

參考文獻

Brook, Donald. Masters of the Keyboard. London: Rockliff, 1946.

Brown, Maurice J. E. Chopin: An Index of His Works in Chronological Order. New York: Da Capo Press, 1972.

Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher as Seen by His Pupils. Translated by Naomi Shohet, Krysia Osostowicz, and Roy Howat. New York: Cambridge University Press, 1986.

Hunker, James. Chopin: The Man and His Music. New York: C. Scribner’s Sons, 1900.

Milewski, Barbara. “Chopin’s Mazurkas and the Myth of the Folk.” 19th-Century Music 23, no. 2 (Autumn 1999): 113-135.