錄像藝術創作-社會實踐中影像媒介之能動

Video arts creations-Imagery intermediation agency of social practice

林格聖(Ge-Sheng Lin)

指導教授 ： 張正仁

國立臺北藝術大學/美術學院/美術學系美術創作碩士班/碩士(2006年)

https://doi.org/10.6835/TNUA.2006.00094

摘要

本文論以藝術家創作的實踐主體進行書寫，除了談論到自身的創作歷程以及分析碩士階段的創作作品之外，並且舉例在藝術史中錄像藝術的作品或是電影，來對整體文章內容和廣泛的錄像創作進行某種程度上的整合。正文中即談到創作觀或是自己如何閱讀作品，對錄像可能的未來也畫出輪廓。附錄則試圖談論自己思考背景，圍繞在各種社會實踐的影像媒介中，其他分別以錄像藝術的文獻資料收集分析、電視傳播等媒體的省思。此外，以某種左翼精神試圖喚起藝術家在創作上的自覺，並以融合文化批判、藝術史(作品)、歷史事件等來轉化為藝術創作的能動；事實上，文論內容即等於藝術家的思想背景，在此之上展開對於藝術創作的發展。藝術家關懷社會的脈動，以及以一個知識份子的態度來面對當代的各種情境，試圖擴展某些影像創作，並找尋錄像藝術在未來如何可能？

關鍵字

藝術家 ； 錄像藝術 ； 主體 ； 社會實踐

並列摘要

This M.A. thesis is written and based on the active subject of my art creation experience, referring to my creative career and discussion of the process of production of my works done during my graduate period. Related video art or cinema works from other authors would also be given to see how I transplant or integrate their content into mine. In my thesis, I explain my concept of creation and how I read foresaid works as to try to give a contour of the prospect of video art, I provide further, in the appendix, information about my thinking background which always focus on various social praxis as reflected in video art, Besides, I extend my discussion and analysis on collected documents related to video art, television, communication and media criticism. I utilize some left-wing spirit to evoke my consciousness of creation, and at the same time, absorb some creative energy from works of cultural critique, history of art and even actual historical events, In fact, this thesis is a true record of my thought and from which an expansion of my art creation could be conducted. As an artist and intellect, I think it’s important to take care our social transformation in it’s various situation, my aim is to create some(video) image and seek a way possible for video art in the future.

並列關鍵字

artist ； video art ； subject ； social praxis

參考文獻

漫遊者-2004國際數位藝術大展, 國立台灣美術館, 2004.

薩依德(Edward W. Said), 《東方主義》(Orientalism), 王志弘等譯, 立緒, 1999.

梅洛龐蒂(Maurice Merleau-Ponty),《知覺現象學》(Phenomenology of Perception), 姜志輝譯, 北京商務印書館, 2001.

Bernard Blistene, A History of 20th-Century Art, Flammarion, 2001.

Gilles Deleuze, Cinema 1:The Movement-Image, University of Minnesota Press, Minneapolis, 1989.