- 學位論文
楊納傑克連篇歌曲《失蹤者的日記》（Zápisník zmizelého）：作品特色與語音旋律
A Study on Leoš Janáček’s song cycle Zápisník zmizelého: nápěvky mluvy and other characteristics
摘要
十九世紀民族主義風行的背景下，捷克作曲家楊納傑克（Leoš Janáček, 1854∼1928）秉持愛國愛鄉的精神，採集民歌、提倡捷克語，於民歌和日常生活語音中探尋民族聲響特質，以音樂的記譜方式大量記錄生活周遭的語音，藉由美學、心理學、生理學等根據，建立一套語言與音樂結合的語音旋律（nápěvky mluvy）理論，並漸進成為他獨特之作曲風格、音樂語法。 晚年的楊納傑克因愛情而激發豐富創作力，寫出為數甚多的代表作，其中連篇歌曲《失蹤者的日記》（Zápisník zmizelého）便是寄託作曲家澎湃情思之作。 本論文旨於研究楊納傑克的語音旋律，並藉由作曲家晚年音樂作品《失蹤者的日記》，觀察語音旋律之實際應用。
並列摘要
Upon the spirit of nationalism in the 19th century, Leoš Janáček(1854-1928), the Czech composer, collected Czech folk songs, promoted the Czech language , and explored the characteristics of national sound from folk songs and compatriots’ everyday speech utterance. He largely recorded the spoken language in ordinary life with musical notation. Then, according to the basis of aesthetics, psychology, and physiology, he established the “nápěvky mluvy” theory which integrates intonation contours and rhythms of speech utterance into song melody and instrumental music. The theory gradually evolved to his unique composition style and musical language. During his last years, Janáček has written numerous masterpieces out of his creativity stimulated in his romances; for example, the song cycle Zápisník zmizelého was the work of the composer’s passion. This thesis is to research Janáček’s nápěvky mluvy by exploring his application on it in his late work Zápisník zmizelého.