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  • 學位論文

戰爭玩具的混種文化-韋至恆的繪畫探討

The Remixed Culture of War Toys-A Study of Wei, Chih-Heng's Paintings

指導教授 : 張正仁

摘要


我這次創作主軸,以平面繪畫形式來呈現當代的特殊現象,期中包含了戰爭議題的反思、全球化的混種等。論述中,如何以平面繪畫去表達當代的奇觀景象,是我主要會分析與解釋的內容。當代繪畫,相較於之前的繪畫形式,應該有延續也有所斷裂,適當的表達了我們所處的當下環境。本文中我書寫創作經驗與學理分析,希望可以解釋我的創作與人類面臨的環境之間的轉化過程。 本篇論述,總共分為五章。第一章,藉由書寫個人的學習歷程來說明為何會有目前這樣的創作,點出創作的動機來源,進而研究這些相關的議題與核心的研究目的。 第二章論述我對當代的關注面向與感興趣的議題,透過個人繪畫的方式、與其他媒介的藝術創作,來抒發對於這些現象的意見。 第三章說明透過個人的觀點,和創作表現方式,解構當代的文化與現象,介入個人的批判,而建構出自己的創作。在闡述繪我個人繪畫中個人特色的同時,也討論在未來我如何利用這些優勢來進行創作。 第四章說明我創作形式的轉化過程,並說明其中某些形式受到相關美術史脈絡的影響。進而在當代的藝術環境中,找出創作上的自我定位。同時文中也篩選出幾件代表性的作品,針對這些作品裡的形式與議題,作出連結與敘述,並企圖找出一條個人長遠的創作道路。 第五章是結論的部份,說明我這幾年來創作的心得,並對作品的形式與議題作出檢討,以利將來創造出更貼切的、更完美的藝術作品。

並列摘要


Given the discourse between my works and developing issues, which is the most essential I emphasize on?It is painting the weird events such as the issue of war, and globalization influences that I always be curious and research on. Therefore, in my specific viewpoints, I will develop a personal way of seeing to combine the social phenomena and my art expression. There are my discourses presented as followed. Chapter one presents my motive and why I do the research in the contemporary era, that I will completely explain my process of creation. Chapter two describes my interesting subject, and I illustrate the problem by painting. Moreover, I want to transform this issue to be ironic concept which brings more and more introspections to humans. Chapter three, it is in terms of my essential concept that I choose the painting to represent phenomena in the world, for instance, the reversing war to be a cute thing, and remixing the thinking of cultures. Chapter four depicts my works which are influenced from the art history, tracing the principle to reflect my works’ characteristics. Furthermore, I do the connection between issue of modern-day and art forms by choosing my essential works. Besides, I will find my location in the field of contemporary art. Chapter five is the conclusion to discuss my works which disadvantage should be improved. Furthermore, I convince from my discourse that is how to create a more perfect art work in the future.

參考文獻


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《後現代性的起源》,派瑞•安德森(Perry Anderson)著, 王晶譯,台灣:聯經出版(1999)。

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