新幻象樂園

摘要 2005年大學畢業後，便來到臺灣留學，以臺灣的自然為背景創作了很多的作品。在即將畢業之即，將最近創作的作品結尾，並將一直研究著的理論性內容更加的具體化和概念化，明確的整理、論述。本論文由五章節構成，每章都有3，4節，更詳細的說明了論文的內容。第一章的緒論中，主要寫了前言和創作動機，而創作動機是以本人的現實為基礎，表達了存在於主觀的、人個的想像和幻想中的自由的夢想樂園，說明了樂園的意義和創作研究目的，作品形成的過程，以及自然和新的生命體（恐龍和其它動物之間的結合）共存的有關未來的創作內容。在那之外，也說明了過去所做過的版畫和用相機創作的作品。第二章的創作系譜與教育的內容中寫了有關韓國版畫歷史的版畫養成教育，說明、比較和分析了有關超現實主義，介紹、分析及比較了和我作品有關的外國作家（盧梭）、韓國作家（李誅學），以及論述了創作背景。第三章的表現材質和方法中，寫了使用橡膠版畫創作的外國作家和韓國作家，並舉例說明，也說明了凸版畫（特別是橡膠版畫）的表現方法和電動鑽磨機，還有對紙張的歷史和臺灣紙張、韓國紙張、義大利紙張，這三種紙張的比較、分析，以及色彩，特別是有關黑白的說明。第四章中詳細的說明了我的作品（作品1∼作品10），並說明了作品登場的要素、排列和登場的原因等。第五章則談論了我在讀碩士期間所創作的作品的收尾工作，以及談論了有關未來的計畫並做了結論。

關鍵字

版畫, 凸版畫, 自然, 超現實主義, 未來, 樂園, 夢想

並列摘要

Abstract After graduating from university in 2005, I came to study in Taiwan, and used Taiwan’s Nature as the background to create a lot of work. I will be graduating soon, so I start to finish the recent work, and specify, conceptualize, clearly organize, and describe the theoretical content that I have been studying. The thesis is constructed of five chapters. Each chapter has 3 or 4 sections, which will describe the contents of the paper in more detail. The introduction of Chapter One is mainly regarding the foreword and creative motivation. The creative motivation is based on my experience, which expresses the free dreamland that exists in subjective and personal imagination, and describes the meaning of the paradise, the purpose of the creative study, the formation process of the work, and the co-existing future related creative content of nature and new life body (the combination of dinosaurs and other animals). In addition, it also describes the prints that have been done in the past and the work that is created by camera. Chapter Two’s creative pedigree and education content are about the print development education of Korean print history, which describes, compares and analyzes surrealism, introduces, analyzes and compares the work of foreign writer (Rousseau), and Korean writer (Lee Chu-Xuei) with my work, and discusses the creation background. In the performance material and method of Chapter Three, it talks about the foreign writer and Korean writer that used rubber prints for creation, and gave examples. It also describes the performance method of Relief (special rubber prints), electric drill mill, and the comparison, analysis and color (especially black and white) of paper history, Taiwanese paper, Korean paper, and Italian paper. Chapter Four describes my work (work 1~ work 10) in detail, and the elements, line-ups and stage display reasons for my work. Chapter five discusses the finishing of the work that was created during my graduate school period, and talks about the future plan and makes a conclusion.