找尋童年－ 夢中的美好故鄉

Childhood Searching － Beautiful Homeland in the Day Dreams

鍾佩紋(Pei-wen Zhong)

指導教授 ： 董振平

國立臺北藝術大學/美術學院學術論文/美術學系碩士班創作組/碩士(2014年)

https://doi.org/10.6835/TNUA.2014.00225

摘要

童年隨著成長默默地告別我們成為記憶中的一部分。無論那段時光欣喜或悲傷皆已成往事，徒留回味。我們無法恣意更替所真實經歷的過往，所能做的僅僅是重新創造一個「新的童年」，才能抓住童年時期，曾經吉光片羽所擁有過的真誠、幸福感觸。現下的日子並不是不幸，而是常懷最初的感動，似乎能使我更無懼無畏的迎向未來日子的新挑戰。

「找尋童年」系列作品有以下三點創作目的：
一、 透過創作不斷地審視情感，面對自我，使自我內在與作品形成回饋，對心靈產生一定修復、認知、成長效力。
二、 在創作中尋找文化根源，將經驗注入作品。
三、 透過對石版及平版創作實踐，掌握石版與平版特性的運用，為平板的製作找出可能的方向。

本篇論述全文分五個部分
第一章 緒論：主要撰述創作背景因素。
第二章 創作理念：內容、形式技法、探討意圖與藝術家之作品相比較、探討。
第三章 創作進程與說明：平版畫簡史與自我創作體系之脈絡。
第四章 作品詮釋與說明：理念與技法表現說明。
第五章 結論：創作思考所作的沉澱及在文字整理後所促成的自我改變，也將使創作趨向新的可能。

關鍵字

童年、家、內在自我、石版畫

並列摘要

Our childhood silently slipped away through the process of growing up and became part of our memory. Whether happy or sad, all that is solid melts into the air. We cannot voluntarily change what had happened in the past. Instead, all we can do is to re-create a “new childhood" to seize the happy and sincere fragments we once so dearly owned. By remembering myself the initial dream it gives me the courage to accept the new challenges for the big coming future.

Three main points can be summarized for the creation of "Looking for Childhood" series. Firstly, through the making of art I was able to reflect my inner feelings and consequently I could also recognize and repair certain parts.
Secondly, through the process of remembering my childhood, I was able to trace my cultural roots, and to inplanete my experience, whether partly or fully, into the work. Finally I familiarize myself with lithography techniques and hopefully I’ll be able to find the new direction for this art.

This thesis is divided into five parts.
Chapter One is the introduction on all the factors that trigger my creative motivation. Chapter Two is a comparison of techniques, content and motivation between my work and other artists.
Chapter Three deals with a brief history of lithography, in which I also position my working method in a loose sense.
In Chapter Four I present my artistic statement and techniques in detail. A critical conclusion, based on the summary of all the abovementioned chapters will be given in. Chapter Five, where I will report some future possibilities for new artistic direction.

並列關鍵字

childhood, family, Inner self, lithograph

參考文獻

林義娥編，《2000年國際版畫學術研討會論文集》，台北：國立藝術教育館，2000。

高木森著，《中國繪畫思想史》，台北：東大圖書股份有限公司，1992。

Bachelard﹐Gaston（加斯東•巴舍拉）著，龔卓君、王靜慧譯，《空間詩學》，台北：張老師文化事業股份有限公司，2003。

Picasso, Pablo. Pablo Picasso : a retrospective﹐ New York : Museum of Modern Art. 1980.

Salamon﹐Ferdinando. The History of Prints and Printmaking from Durer to Picasso﹐ New York：American Heritage﹐1972.