南管曲唱在民間並未有一套完整的理論建立,筆者在大學時期對於「門頭」已有基礎了解,此篇報告針對個人音樂會之【長滾】、【中滾】、【短滾】曲目作音樂結構分析,並試圖從「詞情」與「聲情」當中,找到詮釋曲目的方式,本文即以盧盈妤畢業音樂會之曲目為例,藉由音樂分析方法,加強南管曲唱與理論之間的關聯性,期使南管曲唱內涵更加豐富。
Although Nanguan Singing in the folk did not establish a complete theory, the author has obtained a basic understanding on the mng-thâu(tune family)during her undergraduate years, as a foundation of further studies. In this essay, the author analysed the structure of music in her recital(Lu Ying Yu graduate concert)which contains Long, medium, and short Gunmen series repertoire, and tried to find an interpretation through properties of lyrics and voice, to enhance the relationships between Nanguan Singing and its theory, enriching the connotation of the author’s Nanguan Singing