本論文主要論析作者一系列關乎家庭與記憶的作品,從二O一二年起開始以家為創作對象,創作主題大多環扣著回憶中的家、現在的家、家裡的小角落…等。景物連結記憶中的事件,藉由繪畫的方式敘述與再現。 在各個不同生活環境中停留徘徊的,反覆的觀察與回想是對過去反芻回憶的方式,如同在一個安全的迷宮中穿梭,似乎像不斷地將失落、不安、生活中的小確幸放在記憶時空,給予再次凝視,一種對當時發生事件的的深深留念,及在回憶中對家族情感的傷逝與哀愁,乃至對親情的依賴,藉由低彩度的色彩、稀疏鬆散的筆觸、部分厚實的肌理、時而飄忽的色塊、粗糙的質感,尋找可以投射堅強、忍耐、孤單、渴望、不完善、被現實壓力啃食的人事物中發出細微光芒的地方,因而形成灰色調中帶有失落、渙散、飄渺感、恐懼、小亮點的喜悅…等,這些源於懷想過往時光的創作,是一種無法自拔的心理糾結。 作者習慣以拍照記錄生活片刻與景物,從中選取、拼湊在畫布上,作品時而呈現類照片之景象,其景象又不完全是現實中所見。一方面是以追憶的方式,擷取過往逝去的歷史片段場景,再現個人童年回憶的景象;再者亦透過照片召喚對自身記憶與家庭的關注,從景物連結回憶的穿梭中,則確認了「此曾在」,而在這種自身的存在的確立過程中,尋找認同感。 創作媒材以油畫為主,繪畫是一個捕捉、記錄及表現內在情感的形式之一。 本文的研究即在闡明作為回憶主體的藝術家,如何透過繪畫編織出個人的記憶,以及這些充滿毁暗氛圍的作品,又呈顯作者哪些個人內在的心理徵兆。 關鍵字:記憶圖像、再現繪畫、親情、家庭、親密感
In this thesis, a series of analyzes of the works relating to families and memories from the two 2012 onwards for the creation of an object to home, creative theme mostly buckle with memories of home, now home, home and other small corner ... . Link remembered events scene, by way of narrative painting and reproduction. Living in different environments remain wandering, repeated observation and recall memories of past rumination way, as in a maze of security in the shuttle, it seems like constantly be lost, anxiety, life's little indeed fortunate in memory time and space, to give again gaze, a kind of deep when the event occurred pictures, and in the memories of the family emotional Mourning and sorrow, as well as the dependence of the family, with a low saturated colors, sparse loose brush strokes, some thick texture, sometimes erratic blocks of color, rough texture, looking for strong projection, patience, loneliness, longing, imperfect, who was chewing on something real pressure subtle glow emitted place, resulting in a gray tone with a loss in , lax, ethereal sense of fear, a small bright spot of joy ... and so on, bringing back memories from the past time of these creations is an inextricable tangle psychology. Author accustomed to living a moment and scene photographed, select from, put together on the canvas, the work sometimes render class photo of scene, its not entirely realistic scene seen. On the one hand is to recall the way to retrieve lost pieces of history past scenes, reproduction personal childhood memories of the scene; furthermore also call on their own memories through photographs and family concerns, memories of the shuttle from the scene link, then confirm order "this worked in ", and their existence in the establishment of this process, the search for acceptance. Creative media dominated by painting, painting is a capture, recording and performance of one form of inner emotions.This study illustrates that in the main body of the artist as memories, how to weave through painting personal memory, as well as those filled with the dark atmosphere of the works destroyed, and what was remarkable individuals of inner psychological symptoms. Keywords: memory images, reproduction painting, family, family, intimacy