本表演創作報告為畢業製作《霧裏的女人》(北藝大戲劇學院2011夏季公演,2011年5月20日—2011年5月29日,北藝大展演藝術中心戲劇廳)以及獨奏會《唉唉內含光Clair-Obscur》(【大為光火】SOLO SHOW,2010年11月4日—2010年11月6日,北藝大戲劇學系T205排演教室)之工作記錄。 演員和觀眾之間常有一層無形的「膜」,阻隔了最誠懇、直接和有力的表達,成因不明。命題「金蟬脫殼」(The Cicada and its Skin)便是希望藉由審視在排練與演出當下每分每秒的所感所思,來檢驗那一層——欲剝離或已剝離的——隔閡究竟是什麼。以求能達到真正自由的表演。
This artistic Performing Report is from Huang, Yu-Ching, a MFA student at the Taipei National University of the Arts. The content is about a work record of her Graduation Production Women in Mist (2011/5/20 - 2011/5/29, TNUA Experimental Theatre) and Solo Show Clair-Obscur (2010/11/4 - 2010/11/6, TNUA Rehearsal Room T205). The topic that The Cicada and its Skin means there is minutely an invisible "MEMBRANE" between the actor / actress and the audience, which is an obstacle to the truly sincere, direct, and powerful expression in the theatre. Cause Unknown. In order to examine what the membrane to be shed is, the performer attempts to review and document her own perception all the time in the process of rehearsals and performances, hoping to achieve the inner freedom of the presence on stage.