恣意的風景─內化的詩性水墨風景探索

Untrammelled Scene

吳建德(Chien-Te Wu)

指導教授 ： 李蕭錕

國立臺北藝術大學/美術學院/美術學系美術創作碩士班/碩士(2009年)

https://doi.org/10.6835/TNUA.2009.00114

摘要

本創作論述以「恣意的風景─內化的詩性水墨風景探索」為研究題旨，期間從2007的〈拼組系列〉到2009年〈恣意系列〉之間的作品為主要研究範圍。透過個人生命經驗的探所，尋找生命中的定位點。藉由水墨繪畫元素的簡化與轉變，同時由東方哲學思想的體悟得到理念上的提昇，使外在現實空間與心中內在空間得以連結，將創作與生活得以整合，以完成創作脈絡的組織架構。
本文第一章 緒論，確立此創作研究的動機與目的，以及研究的範圍與方法。第二章創作觀念與內容，在此分為四個部份，1.對自我創作歷程轉變的剖析。 2.以莊子《逍遙遊》與自身創作的情境呼應。 3.「風景」一詞在創作中的定義。4. 創作過程中外在風景到內在心靈境界的轉換。第三章 作品形式表現，由內容題材的選擇到媒材運用與表現方法之探討，還有在完整展覽中作品裝裱與展演形式。第四章 作品分析，以各系列作品分別做說明，將「拼組」、「內在生態」、「恣意」三個系列來討論。第五章 結論，為創作與分析過程做一總結，希望在經由這樣的創作論述書寫，可以使自我更加釐清目前的創作狀態，並對於未來的創作方向有更多元的開展。

關鍵詞：內在空間、風景、恣意

關鍵字

內在空間 ； 風景 ； 恣意

並列摘要

The title of the creation discourse is " Untrammelled Scene—The Exploration of the Internalized Poetics in Ink Painting Scene." The principal research period is from the "Quilt Series" in 2007 to the "Free Series" in 2009. It seeks after the positioning point of life through the exploration of individual life experiences. The promotion of concepts is reached both by the simplification and transformation of ink painting elements and by the realization of the Oriental philosophy. The external realistic space and the internal mental space are thus interconnected. Creation and life are integrated in order to complete the organization of creation contexts.
The first chapter of the essay is the introduction which ensures the motive and purpose of the research, and the range and methodology of the research. The second chapter is the concepts and contents of creation. It is divided into four parts: 1. the analysis of the transformation of one's own creation process. 2. the correspondence between Zhuangzi's "Free and Easy Wandering" and one's own creation situation. 3. the definition of the term "landscape" in creation. 4. the transformation from the external landscape to the mental mind in the process of creation. The third chapter is the form of creation representation, discussing the issues such as the selection of content materials, the application and representative methods of media, and the mounting and displaying forms in the whole exhibition. The fourth chapter is the analysis of works. All series of works, including "quilt," "internal ecology," and "free," will be discussed respectively. The fifth chapter is the conclusion. It is a summary of the creation and analysis so that one can realize the present creation situations and cultivate multiple directions of creation by means of this discursive writing of creation.

Keywords: internal space, Scene , Untrammelled

並列關鍵字

internal space ； Scene ； Untrammelled

參考文獻

參考文獻書目

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