科學上確定大腦與內分泌系統能夠最直接的影響心理狀態,而心理學家在論及人的生活經驗與情感時,最常參照的標準範本即是我們的日常生活,現象學家則是從人與生活事物的關係,即自我的情緒養成是和環境息息相關。在面對各種環境從自我本體產生許多不同認知意識,進而擁有情緒的多種面向。而空間則是與我們生活密不可分的親暱性關係,因為我們本身都存在於其中。一個物品、一個人、一段情感、一種想法,都因為身處在一個環境下而與我們產生獨特的聯繫。我們感到舒適、感到信任,才會進開始進行交流或者是進行反思。 本論文在創作的過程裡試著從生活中對各種不同空間的自身經驗進行思考與分析,在各種不同的空間場域透過電子機械裝置與情感交流連結,尋找在面對空間時自我主體的擺放位置,在移動過程中形成一種常態遊移現象。作品一《其實我真的很緊張》使用日常生活中原本就存在空間內的各種電線,透過六個伺服馬達隨機帶動各種電線,藉由擺動過程表達處在熟悉環境下被打擾而產生緊張感受,逐漸適應下所產的孤寂平靜感。作品二《日常焦慮》由童年經驗發想,面對於陌生環境下產生出負面的情緒反應,透過散播在空間內的馬達擺動裝置和強光手電筒做為情緒宣洩。作品三《常態游移》從慣性擺動現象─蛇擺為呈現的主體,在空間內的課桌椅上進行常態交錯與游移,試圖表達所觀察到的主體位置改變,裝置載體內LED會像呼吸般的個體,在此空間中藉由習慣性擺動直接的實際回饋與呈現在流動的裝置上,透過裝置主體帶給觀者想像。
It is scientifically determined that brain and endocrine system generate the most direct impact on psychological state in human beings. When psychologists are mentioning about the topic of people's life experiences and emotions, they usually refer to people’s surroundings in daily lives as the standard basement of such topic. On the other hand, phenomenologists are discussing the same topic based on the relationship between people and things around in daily lives. Namely, they believe there is a strong connection between development of self-emotion and environments. As we are facing a variety of environments, we produce several and different kinds of cognitive self-awareness from ourselves, and accordingly have a variety of mood-oriented or correspondent emotions. The space builds up a very intimate and inseparable relationship to our daily lives, because we ourselves always exist in it. An item; a person; an emotion; an idea; etc., all of them generate a unique connection to us since we are always living and staying in a certain environment. Never will we begin to communicate with the surroundings or to execute our own reflection until we feel comfortable or trust in such space. During the process of composing this paper, I try to think and analyze all kinds of self-experiences happening as reactions to various spaces in our daily life, to create a communication or a connection to emotions via electronic and mechanical devices under various spaces, to search for a location where we ourselves can be properly settled when we are facing a certain space, and eventually, to form a phenomenon of translocation during such movement of searching. In the Work No.1"Actually, I Was Really Nervous", various and several sorts of wires which already exist in the spaces in daily life are randomly driven by six servo motors. Via the process of swinging those wires, this Work conveys the feeling of nervousness when a familiar environment is disturbed, and loneliness in calm when such environment is gradually adapted. In the Work No.2 "DailyAnxiety", inspired by a childhood experience, negative emotional reactions occur when facing the unfamiliar environment, and flow away through the motor-driven waving devices and high-powered flashlights as catharsis, which are dispatched everywhere in the space. In the Work No.3 "Translocation", the phenomenon of inertial swinging the movement of a snake is indicated as the subject, which is crisscrossing in a movement of normal wandering above the desk and chair in the space. This Work tries to convey the changes of the subject’s locations observed. The LED, which is placed in the carrier of the device, is supposed to be similar to an individual who can breathe, and provides its immediate feedback and practical presentation on the devices in movement of inertial swinging in this space, to bring the viewer imaginations.