拾遺-撿拾不復返的遺忘

在我抓取日常生活中大小林總產生觸發的事件並使之轉化為創作時，也是我旋繞耽溺於事件情緒之中，藉此處理面對事件的心理狀態、內視的一個個契機。想要「撿拾、抓留」我對於流變事物中想使之不變的片刻及情感，或是讓我的焦慮不安以某種形象自身體飄逸出身外，常是我創作的發軔。而如此的操作，是我朝真正的安心與面對邁進的嘗試。本文第一章從撿拾模糊記憶的概念為出發，概略說明筆者的創作心理。在第二章裡，筆者就內容、形式技法以及探討的議題與藝術家做比對與探討。第三章則是簡述時代環境產生的溝通媒介對於筆者創作表現的影響，其中主要以攝影影像及卡通漫畫式圖像作約略的演進說明。第四章是對於筆者創作作品的過程與說明，其中包括了創作形式與發軔事件的呼應關係，攝影影像、圖像、作品材質的選取與成形，並對於施作之後的個人狀態做內視回應。結語是對於筆者在創作上思考轉變所做的沉澱，以及因此而來的新可能的預告。在文字整理後所促成的自我改變，也將使創作的方向可能更接近筆者初衷﹖

關鍵字

遺忘；撿拾

並列摘要

Abstract While capturing various events occurring in my daily life and transforming them to my creation, I indulge myself in the emotion for those events. This is the moment enables me to have insights of my mentality and into my emotions. My works usually originate from the fact that I wish to “pick up or retain” the moment and emotion in changing events or from my anxiety floating out of my body and appears as another image. This process and work flow are my attempts toward a real relief and advancement. The first chapter of this work starting by picking up vague memories, this chapter gives an overview of the mentality of the author. The second chapter compares and explores the contents, styles, techniques and the issues studied of the author and of artists. Chapter three briefly narrates the influence brought by the communication media generated by the times and environment on the creation of the author. The photographic images and cartoons are applied to present the progress. Chapter four explains the process of the author’s creation. It explains the creation styles, the relations between the creation and its origin, the selection and formation of photographic images, pictures, and work materials. It also examines the mentality of the author after works are created. Settles the thoughts of creation of the author and predicts follow-up new possibilities. The self-transformation pushed by the arrangement of words may redirect creative works closer to the author’s original intention?