過度敏感的感性─生活中的甜食與風景

這篇創作論述主要在描寫創作者本身的感情經驗及想像和作品的關係。其中以自創的一詞「過度敏感的感性」解釋創作者的個性，在三種〈熱戀、沮喪、疼痛〉身體經驗較明顯的狀態下所接收到的靈感。以直線的時間軸來談論三段感情和創作之間的關係，分別以A、B、C做三人的代稱。作品可分為甜食與風景兩大部分。甜食對於創作者的影響，是美好的、是痛苦的、想像的；眼睛所見印象深刻的風景和內心所想像出的風景。再比較創作風格、形式或主題相似的藝術家作品，最後講述創作者選擇使用橡膠版為媒材的原因以及技術的經驗談。本論述共分為七個章節：第一章緒論：簡單說明感情、童話和童年生活經驗如何影響我的創作。第二章創作思維：創作的源起主要來自於「過度敏感的感性」下所產生的狀態激發出的靈感。解釋三個小節中熱戀、沮喪和疼痛自身狀態的樣貌。第三章創作I-甜食：創作可分為兩大主題，其中主題─甜食又可分為甜食因果和甜食宅化，介紹這兩個小主題和感情對象A與甜食主題的關聯性。第四章創作II-風景：創作轉向內心、想像的風景。描寫感情A、B、C怎麼影響風景作品。在第三章與第四章中逐一的介紹每一件作品的想法。第五章藝術家參照：透過藝術家Wayne Thiebaud、池田遙邨和王亮尹分析及比對與自我的形式、主題、內容相關之作品。第六章版畫創作：探討為什麼使用橡膠版做為媒材和使用橡膠版時的創作手法。逐步介紹印製橡膠版的過程及自身使用橡膠版的經驗技法分析。第七章總結：在念研究所的這四年當中轉變帶給我的感想與未來創作的方向和期許。

關鍵字

橡膠版；想像；風景；甜食；物件；過度敏感的感性

並列摘要

The main subject of this thesis is about the artist’s sentimental experience and imagination of her work. Among the words “A Sense of Being Over Sensitive”, which is created by her own explains the artist’s personality. In three conditions (passionately in love, depression, pain) the obvious body experience receives the inspiration. By using a timeline to discuss her connection between works, A, B and C stands for three people of her relationships. The works can be divided into two subjects, Sweets and Sceneries. In the content we can see how sweets affect the artist: feelings of wonderful, painful, and imaginary; by seeing the impressive sceneries and the sceneries which are imagined by mind. Also, introducing and comparing artist’s which have the same subject, object composition, or conception. The Artist discusses why choosing linocut as a creating material and the experience of technique. This thesis can be divided into seven chapters: Chapter I - Preface: Introducing how sentiments, fairy tales and childhood experience influence her work. Chapter II – Creative Thinking: The origin of creation begins from the condition under “A Sense of Being Over Sensitive” which gives inspiration. Explains how the body condition appears in the three sections passionately in love, depressed, and pain. Chapter III- Creation I – Sweets: The creation can be divided into two subjects, in this subject it can be divided into two sections: “Cause and Effect of Sweets” and “Sweets in Interior”. Introduce how the two sections and the relationship with A connect to Sweets Chapter IV- Creation II- Sceneries: Creation changes to inner heart and imagination sceneries. Depicting how the three relationships A, B, C effect the creation of sceneries. In Chapter III and Chapter IV the artist explains her concept by each pieces of her work. Chapter V – Artists Reference: Comparing and analyzing the form, subject and concept of works between the artist herself and through the artists Wayne Thiebaud, Ikeda Yoson and Liang-Yin Wang. Chapter VI – Printmaking : Investigating why using linoleum as material and how to use linoleum for creation. Introducing how to print linoleum step by step, the artist shares her own experience and technique. Chapter VII – How I have changed while studying here for four years and my future perspective.

並列關鍵字

Linocut ； Imagination ； Sceneries ； Sweets ； Object ； A Sense of Being Over Sensitive

參考文獻

Ackerman, Diane著，莊安祺譯。《感官之旅》。台北：時報出版社，1993

Bernheimer, Kate編，林瑞堂譯。《魔鏡，魔鏡，告訴我》。台北：唐莊文化，2003

Kast, Verena著，林敏雅譯。《童話治療》。台北：麥田出版。2004

Steven A. Nash, Adam Gopnik. Wayne Thiebaud Paintings. U.K, Thames & Hudson Ltd, 2000

Joseph Addison and Richard Steele. The Spectator, No. 417. From http://www.unz.org/Pub/AitkensGeorge-1897v06-00102

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過度敏感的感性─生活中的甜食與風景

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