現代日常生活的奇觀,是我震撼經驗的一座訓練場,是我如何對迷渙的狀態做出回應的基地。利用攝影機媒體進入的電傳托邦,以它的各種對策去設框---上升與下降、干擾、孤立、擴張與加速、放大與縮小等,再進入媒體,建構出另外一個特定的"真實效果",此類的空間介入我們之中,動搖著我們對人事物的思慮,及我們對世界的感知,主體不易對之辨視,客體不再是實體,這意味著現實世界已經被分離、可置換、消解座標和印象複製。在這混搭侵略的世界,真相不過是一道光物理的折射瞬間,作用於腦海內顯像。 我常存在於感受靜止般的每一天,那接近微妙地日常慣性裡,意識隱約變化著,這意識卻有時以十分清晰的覆蓋真實現場,成了一個已經被解開的流行術語或夾藏錯綜複雜的神話意境。這樣微弱的尷尬矛盾細節,我仍能維持親身參與這種日常存在的奇蹟觀感多久?能延緩這些奇妙之處消褪後的失落感多久?
I always got shocked and inspirited experience from the unusual spectacle from an ordinary life that how I do the responses on those chaotic conditions. I constructed a specific and virtual effect in the media world by using the teletopie of camera and the variety of camera movements that include craning up, craning down, distortion, isolation, extension, speeding up, zooming in and zooming out. This virtual effect intervened to our ordinary life that distorts our thought of people, events and the sensation of the world. Object is not longer a substantiation that means the real world it could be separable, replaceable, erasable and duplicable. In the world that has been blended and invaded the truth is just a physical refraction that affects the psychological status. I always experience in every single of regular inertia, silent day deeply. This process of consciousness has become my instinct. The consciousness is mutated subtly, and it takes over the reality on a clear status of my cognition. This transition has become a solved and popular terminology or a hidden and complex mythological. How long that I could preserve and participate in those miracles in the ordinary life? How long that I could postpone the feeling of lost after those sensations fading away in the awkward and conflicting phenomena?