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摘要


梁靜覺得生命有所失, 下了戲還不能擺脫演員身分, 生活中繼續扮演自己。 她時常想起自己的母親, 安靜得沒有一點聲音, 一張臉給二十幾年的空白漂得只剩輪廓, 像是自己遺失的影子。 當遠方捎來久違的訊息, 梁靜在臨終醫院見到自己的渴望, 所有被隱藏的話語一一浮現, 她將跟隨母親的步伐, 開啟一個關於謝雪紅的單人旅行。

關鍵字

舞台劇 劇本 謝雪紅 白色恐怖 記憶 旅行

並列摘要


Liang-Ching felt something were lost in her life. She was so immersed in the character she performed that she kept played the herself in her own life. She always thought of her mother, only with the outline of her face in completely quiet during the blank twenty years. Everything she tried to depict about what her mother looked like was just the vanished shadow of herself. As the message passed from far away, she saw the desire that she had been dreamed of in the hospice and palliative care. Everything concealed in the deep of her mind was appeared from time to time. She, Liang-Ching, was determined to follow by the footsteps of her mother to begin the self re-quest with Hsieh Hsueh-Hung.

並列關鍵字

Stage play Play Hsieh Hsueh-Hung the White Terror Memory Travel

參考文獻


Peter Brook,耿一偉譯,《空的空間》,(台北,國立中正文化中心,2008)。
鄭清文,《短篇小說選》,(台北,麥田,1999)。
Joseph Campbell,朱侃如譯,《千面英雄》(The Hero with A Thousand Faces),(台北,立緒,1997)。
彼得.謝弗 Peter Shaffer,《阿瑪迪斯》(AMADEUS)
彼得.謝弗 Peter Shaffer,《戀馬狂》(Equus)

延伸閱讀


  • 陳庭歡(1992)。旅記中外文學21(6),157-159。https://doi.org/10.6637/CWLQ.1992.21(6).157-159
  • 陳建成(2015)。獨行海翁台語文學(159),39-39。https://www.airitilibrary.com/Article/Detail?DocID=P20121018003-201503-201503310025-201503310025-39-39
  • 楊牧(1981)。旅人十四行中外文學10(6),61-61。https://doi.org/10.6637/CWLQ.1981.10(6).61-61
  • (2018)。Olericulture臺灣園藝63(4),271-279。https://www.airitilibrary.com/Article/Detail?DocID=18198317-201802-201807040023-201807040023-271-279
  • 王長禱(2006)。Self-respect and Gratitude for Others志為護理-慈濟護理雜誌5(2),58-59。https://doi.org/10.6974/TCNJ.200604.0058

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