摘要
心靈圖像之探索 摘要 「心靈圖像之探索」之創作論述是筆者有感生命體的脆弱，對生命的存在價值感到疑惑，藉由自然植物生長形態，從觀察中體驗到另一種生命力的展現與追求。亦即，筆者經由植物的物體表象來探究內在精神之外顯的象徵與生命美學的追求，希望在創作與理論兼具之下重新釐清與認定生命存在的價值與意義，基於如此的理念，做此創作研究，以下是本創作研究之綱要： 第一章 緒論：創作動機與目的，研究方法與步驟之概述。 第二章 理論基礎：學理架構的探討是幫助創作者在創作中有個具體明確的依據，本章節學理論述就生理、心理兩個層面展開對符號、圖像語言之分析、探討與歸納，學理的探討不僅提昇創作者內在思維能力的提昇，更從歷史軌跡中尋找出適切自己心靈語彙之圖像表現。 第三章 創作理念：所有創作理念在現實與理想的衝擊下所產生的一種抽象情感，透由腦部圖象的轉換成為一種概念式的預想藍圖，創作的展現不僅運用想像力聨想力與創造力將外在事物給予物化成為一種象徵性的符號語言，藉由符號的轉換重新給予界定、分析、彙集重整之後確實轉換成為具體可見的視覺形象，以彰顯內在異想場域的抽象情感之表現。 第四章 創作實踐：所有創作的「行動力」是對生命意念允諾的實踐，人在生命的場域中「身」、「心」、「靈」不斷受到外界環境衝擊之下，激發出整體「生命」存在意義之詮釋，創作讓生命知覺的精神性，藉助外在事物的形像，簡化成為一種「符號」來彰顯生命背後的抽象意念，讓圖像符號在轉變中成為一種「通俗化」的意識語言，本章節即對創作之內容、形式以七件主要作品詳加說明。 第五章 結論：筆者從學理論述的研讀中了解生命的意涵來自一種「當下」應有的生命態度，從創作實踐中更清楚明白取與捨分寸之間的智慧，即是一種學無止盡的努力與修正 。
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符號並列摘要
Abstract The author makes this thesis of creation out of personal feeling that the being of human is so vulnerable and the value of existence is rather questionable and confusing. By way of observing the growing patterns of plants, another expression and pursuit of life-force could be tasted. That means the author tries to explore the external symbol of internal spirit and pursue life aesthetics by way of the substantial appearances of plants, so as to re-clarify and recognize the existential value and meaning of life under the combination of creation and theory. That’s the very idea the author bases upon to engage in such creative study, and the schemata of this thesis are as follows: Chapter One---Introduction: To summarize the motivation and purpose of creation, research methods and processes. Chapter Two---Theoretic Basis: The exploration of theoretic skeleton could facilitate the creator to grasp a concrete and explicit warranty during creating processes. Therefore the chapter would start with analyzing, exploring and inducing the language of symbols and image in terms of physiology and psychology. The exploration of theories would not only enhance the mindset of the author, but could also help to fumble out the image presentation which is fit to one’s own spiritual vocabularies in historic path. Chapter Three---Ideas of creation: All the ideas of creation are abstract emotions yielded by realistic and ideal impacts, which are transformed into a kind of conceptualized anticipatory blueprint by the icons in brain. The exhibition of creation is not only to materialize external subjects into symbolic language by way of imagination, association and creation, but also based on the transformed symbols to redefine, analyze and embody the images that become concrete and visible after rallied, so as to illustrate the representation of abstract emotion in internal fanciful arena. Chapter Four---Creative practice: All the “dynamic of creation” is the fulfillment of life-minded promises. In the arena of human’s life, the body, mind and spirit have been impacted by external environment impacts constantly and inspired to paraphrase the meaning of existence. Creation makes the spiritual level of life perception simplified into a kind of “symbol” to demonstrate the abstract meaning behind human life, and makes imagery symbols become a kind of “familiarized” ideological language. This chapter would illuminate the contents and patterns of creation by way of discussing seven major masterpieces. Chapter Five---Conclusion: After study the theories, the author understand the meaning of life comes from the liable attitude at present, and the wisdom of knowing more clearly what to take and resign during creative practice is just the endeavor and amendment of endless learning.