圖像•結構•內感覺――――李麗紅創作論述

綜觀當今藝壇，充斥各式各樣的表現形式，縱使是社會型態的反映，但在這樣龐雜的藝術漩渦裡，容易迷失於眼花撩亂的表象中，所以眼前迫切需要的是撥開繁複虛偽的表象包裝，試探隱藏於深層的結構性問題，期能直抵人類心靈深處，探究根本性問題，這將有助於在藝術表現上作出本質面向之更進。因此，本論文由「結構」循序漸進的進入創作的核心點，也就是所謂的「內感覺」，期望透過層層分析與推演的過程中，能將這種隱誨複雜的內感覺剖析出來，讓混沌不明之創作觀變得清晰明朗化。故以「結構」（structure）為中心議題，主要分為四部分，包含李維斯陀（Claude Levi-Strauss）的內在結構、榮格（Carl Gustav Jung）的集體潛意識、卡西勒（Ernst Casslirer）的符號論、安海姆（Rudolf Arnheim）的動力空間等，探討「結構」之相類屬問題，援引各家學說理論以論證筆者之觀點與想法，並以此為中心議題，往外擴散與推展，再鋪陳各種現象加以討論，而這些現象最終指向創作層面落實問題。李維斯陀認為人類心靈底層具有普遍可解之共同結構，所以不管藝術裡如何的天馬行空，如何的凸顯自我意識，如何的強調獨創、新穎…等，都脫離不了人類心靈所擁有的那份共同結構，換句話說，透過各式各樣的藝術作品所呈現的生命力、本質現象，歷來幾乎都是相似的，只是各自以「密碼式」結構形式呈現罷了。而榮格認為人類有所謂的「集體無意識」，這部分的心靈傳承了人類共通的心理遺產，容納著人類自原始社會以來的全部精神財富（經驗、情感、思想、記憶），本質上就是人類的集體經驗在心理深層的積澱，所以它對我們的行為、理解和創造產生著重大影響，像是一種無聲的命令，對藝術創作者產生莫大的影響，我們創作的過程可以說就是集體無意識外在化顯現的過程。另外，卡西勒認為人類的文化生活形式就是符號宇宙所構築的，語言、神話、藝術和宗教則是這個符號宇宙的各部分，它們是織成符號之網的不同絲線，是人類經驗的交織之網。藝術為當中一環，將其看作是人類特有的符號系統，透過「符號」或「形式」的安排，顯示出創作者本身的心靈活動，而這種體系不是產生於外來因素，而是作者主觀想像的無意識產品，作品中所隱含的深層結構，同榮格的集體潛意識一樣，是人類共同的心靈面貌，只是以隱喻式密碼排列出現罷了。而藝術作品之價值正在於它可以表達出一種無法用其他方式表達出的心靈神秘訊息，也是人類心靈底層的共同結構模式。雖然我們擁有藝術這種利器能將人類心靈神秘訊息傳達出來，但能否生動的傳達出來，正如安海姆所說的還是得視作品裡的動力空間運用是否得宜。一件出色的作品，能夠成功的營造出深刻的動力空間，藉結構骨架展現動力形象，意蘊精神內涵於無形中，進而激盪出觀賞者內心滿滿的感動，此為最理想之境界。總之，對於藝壇初出發的我們而言，在這令人昏眩的藝術漩渦中，認清藝術裡本質面向的東西，及其與外在形式的關聯，是尤為重要的。一切外在形式和技巧的取捨，都必須以心靈為依歸，順心所映才是。或可以說，所有創作上的表現，是自我於外在的刺激下，對於內在心靈所做的一種自省或反映。

關鍵字

內感覺；內在結構；集體無意識；動力空間

並列摘要

There are lots of embodiments in the current art field, even if it shows the real social model, it may get loss in the fantastic external phenomena in the complicated art field. Therefore, what we are eager to do at present is to move away the false external packing, and try our best to probe into the structure problem so as to get in touch with heart of human being and discover the fundamental issue, that may help improve art performing. Thereby, this paper will enter into core of creation step by step basing on “structure”, namely, it is called “internal conscious”, in hoping to anatomize the concealed and complicated internal conscious basing on analysis and reasoning, so that the unclear creation concept may become more and more clear. Therefore, this paper will be divided into 4 parts including internal structure of Claude Levi-Strauss, collective unconscious of Carl Gustav Jung, semiotic of Ernst Casslirer, power space of Rudolf Arnheim with “structure” as the central theme, which will probe into issues relating to “structure”, cite theories of all schools to reason the author’s viewpoint and idea, furthermore, discuss all phenomenon basing on this central theme so that these phenomenon discussed may solve issues in the creation. Claude Levi-Strauss thought bottom of heart of human being has understandable common structure, so, no matter how he/she has powerful and unconstrained style in art, how to show self-awareness, how to emphasize the original creation and novelty, he/she couldn’t break away from the co-shared common structure at bottom of heart of human being, in other words, the life force, essential phenomena shown by all kinds of art works are almost similar, however, present itself respectively in “cipher”. However, Carl Gustav Jung thought human being have what is called “collective unconscious” where bears the common psychological heritage of human being and contain all spiritual wealth (including experiences, feeling, thought and memory) since the original society, as matter of fact, it is the deposition of collective experiences of human being in psychology, so, it deeply impacts our behavior, comprehension and creation, which likes noiseless order to impose vital impact on art creation, so, our creation is the course of external appearance of the collective unconscious. In addition, Ernst Casslirer thought the cultural activities of human being is composed of universal symbols including language, mythology, art and religion, they have knitted experiences netting of human being. Art is one of the important factor, it is the unique symbol system of human being to display the author’s activity of soul basing on “symbol” or “forms”, this system is not produced by external factor, but unconscious works of the author’ subjective imagination, the deep structure concealed in the works is as same as collective unconscious of Carl Gustav Jung, it is the common visage of soul, but arranged in implicit cipher. Value of art works is to express the mythical information of soul that any other method couldn’t express, it is the common structure model at bottom of heart of human being. We can transmit the mythical information of soul of human being by art, however, whether it could be expressed vividly or not may depend on the power space applied in the works as saying of Rudolf Arnheim. An excellent works can successfully create profound power space and show the vivid image basing on the structure, which contains the spiritual meaning invisibly so as to stimulate those who appreciate it. This is the most ideal realm. In a word, it is especially important for us just involving into art field to understand the essence of art and its external shape of conjunction. Accept or reject all external shapes and techniques must depend on soul, namely, all creations are to show an introspection or reflection of internal soul when ego is stimulated by external factor.