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  • 學位論文

女性人物畫-姜又榕彩墨創作研究

Woman portrait- Study and Creative Works on Chinese Color Ink- Painting by You-Rong Chiang

指導教授 : 張權

摘要


在東西方繪畫藝術裡,藝術家常經由女性形象來抒發創作靈感,出自於男性筆下的女性特質較為明顯;則女性畫家主要探討自我與社會環境的關係,並追求內心的感性層面。而筆者對於自我之女性身份與不同空間的形象轉換過程,產生探究動機,作為本創作研究的理念依據。 以「女性人物畫-姜又榕彩墨創作研究」為主題,擬採取藝術史研究法先了解中國女性水墨人物畫的源流與作品中的女性審美形象,進而分析中西方女性人物畫差異,再經由圖像分析中西方的女性人物畫,並以行動研究法歸納創作作品的理念,建立筆者的創作架構。參酌中西方的女性人物研究論著,所產生的創作理念為下:(一)女性自覺。(二)流行服飾之女性形象。(三)女性塑造之空間探討。   透過學理基礎釐清創作理念進而提升筆者創作面向的廣度與深度,並吸取前人傳統筆墨之菁華,以水墨人物畫技法的工筆設色與寫意彩墨實踐至創作作品中,試圖結合現代女性人物的多變形象,並呈現具現代空間感的彩墨女性人物畫風格。

關鍵字

女性 人物畫 彩墨

並列摘要


Abstract Artists ranging from Oriental and Western Art Painting usually express their creative ideas through woman images. Compared to woman artists who focus on the relation between self and social environment to pursue inner feelings, the female characteristic shown by man artists is more notable. Thus, the image-changing process between self female identity and different space drives the author to research deeply. It is also the basis of this creative works. Titled as “Woman portrait- Study and Creative Works on Chinese Color Ink- Painting by You-Rong Chiang”, the author firstly adopts art history research methods to understand the origin of Chinese Ink-Painting of woman portrait and woman images reflected on works, then finds out the difference between Oriental and Western woman portrait by image analysis. Furthermore, the author seeks to build a structure in the whole thesis after inducing the ideas of creative works by action research. By referring to studies of Oriental and Western woman portrait, the author’s creative ideas are as follows: first, female self-consciousness, secondly, woman images of fashionable costume, thirdly, the discussion on space shaped by women. Through the clarification with theoretical foundation, it improves and broadens the author’s creative aspects. Absorbing the essence of traditional ink-paintings created by predecessors, the author adds fine-brushwork, a skill of Chinese ink-painting, and freehand brushwork of Chinese color ink-painting to creative works. Moreover, the author tries to combine with variable images of modern female, and finally presents a style of woman portrait of Chinese color ink-painting rich in modern sense of space. Keywords: Woman, Portrait, Chinese Color Ink-Painting

並列關鍵字

Woman Portrait Chinese Color Ink-Painting

參考文獻


高宣揚(2002):《流行文化社會學》。台北:揚智文化事業股份有限公司。
郭繼生(1998):《藝術史與藝術批評》。台北:書林。
薄松年(2006):《中國藝術史》,台北:聯經出版公司。
劉梅琴(2010):《藝術思維的現代詮釋》。台北:國立歷史博物館 。
Judy Chicago著,陳宓娟譯(2003):《穿越花朵》。台北:遠流。

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朱瓊芳(2005)。多元智慧取向的合作學習在國中籃球課程學習成效與態度之研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2004200715452162
陳李治(2009)。同儕教導射擊訓練課程對ADHD學生學習行為與社會行為之研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315155222

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