色彩之繪畫創作研究

色彩與繪畫的關係是密不可分的，而色彩更是創作的重要手段。藝術家藉由色彩來傳達思想和情感，以引起觀者的共鳴。而其繪畫作品的格調韻味及優劣好壞，取決於創作者對色彩的駕御能力。從西洋繪畫史的發展、各畫派的沿革、色彩演變與表現特色中，可看出藝術創作是承先啟後的，每個藝術家都根據自己的經驗，對色彩及其效果的性質、運用，建立一套理論。今以色彩為研究對象，擷取以感性、主觀表現為主的色彩觀念，結合實際創作，盼能更適切地傳達「意念為體．色彩為用」的創作理念。本論文以繪畫色彩主題，全文分為五個章節：茲將各章節之內容簡述如下：第一章：將本研究之動機與目的，研究方法與範圍，做概略性的說明。第二章：以色彩學為研究之學理基礎，分述色彩與創作之相關性。第三章：藉由畫家作品，探究其色彩運用獨到之處。第四章：「意念為體．色彩為用」的創作理念：此章為筆者的實際創作經驗，就創作理念，從表現形式的緣起，題材與內容、色彩來說明，藉由作品的分析，來傳達所思所感。筆者本著感懷的心，以生活、人文與自然作為藝術的表現對象，透過色彩豐富的變化，將心中的感動，化為永恆，以引起觀賞者的共鳴。第五章：結論：歸結研究與創作之心得與未來創作、研究方向。

關鍵字

色彩

並列摘要

The relationship of color and painting is extremely close and inseparable. Besides, color is one of the important measures for creation. Artist would make use of color to express their thoughts and feelings so as to stimulate the sympathy of viewers, while the style and taste, creation of atmosphere, and its quality of the painting would largely depend on the competence of masters of creators over colors. As viewed from the development of western painting history, development of each painting school, color evolution, and their features of expression among color masters in Taiwan and western world, we can have found that artistic creation has carried on heritage of the past and opened up the future. In fact, every artist has based their own experiences on this and established a set of unique color theory for the nature and utility of color and its effect. Now, we will base colors on our target of study, and extract mainly sensual and subjective expression as concept of color to work with creation so as to suitably convey the creation belief of “idea as tenor, color as vehicle.” This thesis will base color of painting on the theme, and the entire work is divided into 5 chapters, and they are elaborated in details as follows: Chapter 1: it will briefly explain the motif and objective of the study, and the research methodology and scope; chapter 2: it will depend on the theory of color science, and delineate the relationship between color and creation; chapter 3: it will make use of works by painters to investigate their uniqueness of using colors; chapter 4: it will base the concept of “idea as tenor, color as vehicle” on investigation; the chapter is of the practical creation experience of the writer, and he will explain from creation belief, origin of expression mode, material and content, and color for the work, and through work analysis, the writer will convey what he thinks and feels. As the writer is embraced with the mindset of gratitude, he will take life, humanity, and nature as the targets of artistic creation, and with abundant changing colors, he will turn the touches of his heart into eternity so as to create sympathy among viewers. Chapter 5: it is the conclusion and it will conclude the creation belief as well as approach for future creation and research.