- 學位論文
紅媠黑大扮(方)－吳燕如黑調“飛越牡丹”系列作品解析
Beautifully Dressed Up with Red and Black “Surpassing the Peony”(series), Juliana’s Silent Inquiry and Analysis
摘要
藝術與作者的生活息息相關，與作者的生命等距沒有距離。一生信仰渴望、追求、享有自由、平等、博愛的父親賜予筆者天生的審美觀、無憂的生活，奠定豐富並巨大影響了筆者的藝術生命。兒時母親的台灣俚語紅媠黑大扮(方)作為加強以飛越牡丹系列作品為主題的意象抽象表現，將喜愛的形象牡丹，由具象、半具象、抽象、半抽象到抽象表現，以傳統東方筆墨(中國水墨、日本膠彩)內在審美情感精神賦予西方藝術形式，以西方理性、潛意識、自動主義表現形式賦予東方儒道莊子哲禪感性、悟性內容，二者相互為謀，相輔相成的東西方審美藝術交融。由東西方藝術史脈絡，探析東西方藝術本質、特質、特徵之異而探討內容、形式與技法之別，針對研究主題探索如何融進東西方藝術表現紅媠黑大扮意境意象抽象表現。 筆者論文共分五章節綱要：第一章 緒論：述說研究動機與目的，研究範圍與方法，名詞釋義。第二章 創作學理與文獻探討作為筆者的思惟與創作形式及內容的依據，研析東西方藝術史演化的模式與型態，進而解析筆者牡丹系列作品。第三章 創作理念實踐以生活與生命經歷、體驗，探析牡丹系列作品如何以紅媠黑大扮，及以黑調作為創作主題之風格。第四章 作品解析；主要以七件作品做創作說明，闡述創作理念及創作過程，內容與形式及材料技法的分析。第五章 結論：總結以上的論述；飛越牡丹，飛越自己，落實落地如種子之再生，集理想與理性的信念，重新自我審視對生命的價值。
並列摘要
An art and the author’s day-to-day life is closely linked, in relation to the author’s life—there is no distance. Life’s desire of faith, pursuit of freedom, equality, and fraternity gives the author a natural appreciation of beauty, a worry-free life, establishing a rich and tremendous impact on the artist’s creation. During childhood, as my mother use to say in Taiwanese, “Red is beautiful, black is generous,” this enhances the abstract image representation of the ‘Flying over the Peony’ series art works. Using this beloved Peony image, as a figurative, or semi-figurative, as an abstract, or half-abstract, eventually to an abstract expression. Using the traditional Oriental pen and ink (Chinese ink painting and Japanese glue painting), spirit of aesthetic sensibility to endow western oil painting art forms. Using the Western oil painting’s rational, subconscious, and spontaneity expressions gives oriental Confucianism, Taoism and Zen Buddhism’s perceptual comprehension content, mutual scheme to complement harmony of East-West art forms. By the context of the history of Eastern and Western art, analyzing the nature, differences, characteristics, features, and discussion of contents, forms and techniques of the other, to be aimed at exploring research topics on how to incorporate into Eastern and Western art expression of “Red is beautiful, black is generous,” artistic imagery. Descriptions below: Outline of Chapter I Introduction: Description of motivation and purpose, research scope and methodology, and term definitions. Chapter II Creation of theoretical and literature review, author’s thinking, creative format and basis of content, research and analysis of Eastern and Western art history, mode patterns of evolution, then analysis of the author’s Peony series of art works. Chapter III The practice of creative ideas to life and life experiences, personal experiences, analysis of Peony art work series, how to use “Red is beautiful, black generous” in creating the theme. Chapter IV Composition analysis: Mainly creative description of 7 art works, elaborated on creative concept and process, content and form and analysis of materials and techniques. Chapter V Conclusion: Summing up the above discussions; flying over the peonies, over oneself, put in the ground as a regeneration of the seed, set of ideals and rational beliefs, re-examine one-self on the value of life.