失焦的文明---陳人豪創作論述

在本次研究上以生態環境做為研究題材，這對我來說是一種很深遠的意義，從這次研究中我想得出藝術家該如何對這所賴以維生的大自然做出一份貢獻，也想藉由人類對土地及對生態環進的認同感進而由小擴大，由近而遠的從自身周圍延伸到整個世界的環境生態體系，且由這次研究探索來發現物種之美與繪畫上的結合，其探討物種、環境、人這三種元素共存時會存在那些對立問題，是否有共生共存的契機。對此如何以美學的方式將這三種元素做一呈現，以及對於理論實務上的分析建立。很明顯的，許多的物件元素，在綜合構成的主要形式做為藝術解釋，這方面的解釋往往能給人傳達一種物體導入藝術價值的直接關係。經由審美層面的原則肯定物體存在原本空間上的支持，更加證明在這自然的大環境中，物與物之間相互的牽引，保持良好的共生架構，才是所謂靈魂與實際的相對應關係。第一章以「人類、物種、生態環境」三種元素做為本次研究的主軸。在整個研究方向上，我想探討環境中人與動物之間所形成的一種微妙關係變化，人類在地球上是一種非常強勢的物種，非常多的觀點常常以人為出發導向，卻缺少了以其他物種為出發的想法。人來自於自然，卻在追求科學與知識的同時,遺棄了自然。自然對人類來說是個資源也是金錢價值的存在關係，且在近年來隨著生態環保議題不斷的受到重視，環境汙染，生物棲地變遷、人為破壞、溫室效應…..等議題的發酵，無不讓我們清楚了解到，人類是破壞這長久維持來的平衡架構。第二章以生態環境的變遷與衝擊最為我思考創作的寫照。藝術作為社會化的創造性活動，由於其與人的特性有蓍本質的、必然的聯繫，自然就既可以反映出抽象的類屬性本質，又反映出社會歷史本質生態的衝擊，如何在人與物種間的關係中取得共生共榮的自由和諧。這也是當今生態環境危機的背景下實踐美學研究所應面對和拓展的新內容。探討生態平衡、物質極限之內人類生存與精神態度的共同審美化，即實踐基礎之上生態審美觀念的當代建立。面對生態環境的情感，人類與自然和諧發展，這是現代生態文化的基本精神。認識生態存在的必然性，體驗人的生態化生存的合理性，在人與自然所建立的生態和諧關係中能夠審美地激發生命活動的機能。生態藝術哲學吸納、昇華其基本精神，是構成生態中和恢復與發展中，走向審美意境和藝術意境的基本路徑。亦作為人類可持續發展的指標性，搭建人類通向未來之路的生存的橋樑，使人的本真“澄明”，使人的和諧、美態得以顯現。第三章、自然之中，萬事萬物，皆是大自然的產物。然而從中可以探究出生命體的存在，生命體的存在關係到了生命價值的誕生，而生命價值即是一種平等的普世價值。就廣義的來說，即是一種精神的存在，形成了共同的價值與平等。從藝術的創作過程當中，藝術的理念是外在的形式與創作精神的統一，就形式來說，是觀念演變下的作品；而精神內容方面，著重在探究人與物種、自然生態與人類社會結構產生的衝突與矛盾的關係變化，從社會、環境….等各方面切入。近而證明藝術提供了幸福的證詞。創造了一塊超越現實的原則。諷刺的是這是一種烏托邦式的理想。當過去、現在、未來，的時間成為一種觀點，重新在記憶與想像中組合、重疊、並具蒙太奇效果的超現實。完全記錄了對於歷史的顯影、生態環境的文化、消融中的城邦界域，還有永遠不滅的存在精神。第四章除針對前面三個章節做總和描述之外，在探討創作與研究後歸類了以下的幾點：一、反對征服與改造自然，藉由作品諷刺來警醒人類生態環境的作用。創作手法以普普與蒙太奇方式將破碎的元素複製、融合。這生態議題是寓意”對事物的廉價感”，在這樣的衝突之下，環境生態是可以被犧牲的。二、擬態裝飾:花布重複的圖案是一種美麗的裝飾，在標本、勝利炫耀、權力的象徵上，人勝萬物的追求表現。在這一系列相關的複製元素運用到了花布系列上，意味著就像人們對生態或是對一些物種豪取掠奪所得到的是一種權力慾望的表現。三、人為毀滅與分割系列---塑膠系列中，塑膠袋卻是石化產業的末端，是個不容易被生物分解的產物，其便利性卻是人類忙碌文明的寫照。窒息式的表現，當停止呼吸的窒息壟罩頭部，所發覺的是大自然的反撲。在形意上代表著半自由半束縛，汙染過半下，我們只能保護那剩餘自然環境。然而，藝術創作是一種創作的幻象過程，藝術品及被創造出來的幻象。藝術家只能藉此創作表現來呼籲人類在面對生存的艱難，應該用更高的品格來維護每一寸賴以生存的土地。四、時間與空間的填空系列。生物的變遷，我運用這種概念化的形象，把原本屬於該空間的物種抽離，置入了一個人為的汙染物。塑膠的汙染，生物被艷麗的塑膠袋吸引，誤食而死，間接傷害人類，隨著時間伴隨汙染，空間依在，慢慢侵蝕物種。第五章分析了人、物種、生態環境上，筆者認為要達到所謂的同一性，輯要尋求一種所謂的”單純”。如何讓這種純真維持下去，關鍵還是在於人對自然的態度，如果說人類所要追求的是生態自然的美，而最高層次也就是自然之美，那某種程度上的保留與維繫是必然的價值，人與萬物同樣，生命的價值也相對平等，人對動物的殘暴，是建立在人類中心主義倫理道德中對動物權利的踐踏。提高心靈的層次與道德的標準，才有辦法對其他生命一視同仁。藉由相關的資料檢視與省思中，得知藝術的基本價值是審美，且藝術的功能有不是單一。藝術不僅能提供重要的審美享受，還能幫助欣賞者了解社會、認識人與環境，還能改變觀賞者的思想觀念。就其未來發展方向，以作為後續創作研究的標的。關鍵字：人類、物種、生態環境、社會、審美、烏托邦

關鍵字

人類；物種；生態環境；社會；審美；烏托邦

並列摘要

The study of the ecological environment as a research subject, which for me is a very profound sense. From this study,I think of how these artists have relied on subsistence nature to make a contribution, world also like to be humans and ecological land ring into the identity and then expand from small,from near and far to extend itself to the whole world from the surrounding environmental of the ecosystem ,and to discovery the beauty of this study to explore the species and painting binding on the species to explore its environment.People will exist when these three elements coexist .Those opposing the question of whether there is opportunity for coexistence. such as how to present these three elements ,as well as for the establishment of practice theory. Obviously,many of the element of an object in the form of a composite consisting primarily as artistic interpretation, explain this often give people communication directly related to the introduction of an object of artistic value.Certainly by the principles of aesthetic level space exists to support the original objects, and more to prove in this natural environment, and between things pulling each other, to maintain good symbiotic architecture, is the so-called soul correspond with the actual relationship. . In the first chapter, I took three elements, human beings, species, and environmental ecology as the spindle of this study. In this study, I’d like to explore a subtle relationship between our human beings and animals. The mankind is a powerful creature which usually uses his or her own way to see this world without considering other species. Humans came from the nature, but at the same time, when we were pursuing knowledge and science, we abandoned the nature instead. Nature for humans is not only a resource but also a relationship of money value, besides, recently the issue of the protection of the environment has aroused the attention drop by drop. As the emerging of the issues, such as environmental pollution, biological habitat change, the destruction caused by humans, and global warming etc., we could clearly understand that we are destroying the balance which maintained for many years. In the second chapter, I took the change and the impact of the ecological environment as my best portrait. The arts are the creative activity of socialization, due to its essential connection with human character, so that it can reflect its abstract character and also the ecological impact of social history, which is the process of humans to coexist and to obtain the harmony with other species. This is also the new content that we should learn to face and to develop under the crisis of environmental ecology. This is basic attitude in the modern ecological culture for humans to coexist with nature harmoniously. The ecological arts absorbed and sublimated its basic spirit and created a bridge for humans to reach sustainable development and to express the beauty and the harmony. In the third chapter, all creatures came from the nature, thus we can explore the value of life forms, and we will know that the value of distinct life forms is equal. On broad terms, that is, there is a spirit, forming a common value and equality. During the process of the creation of arts, its concept is the unity of external form and creative spirit, but however it is utopian ideal. As in the past, present and future, time has become a point of view, re-combined in the memory and imagination, overlapping, and a surreal montage effect. In the fourth chapter, I made the sum of above three chapters and classified the follow points: 1. Against conquering and transforming the nature, to alert humans the function of environmental ecology through the works. 2. To use the mimicry decoration, in this series of related replication elements which are applied to the series of the fabric, which means that the plunder of the nature caused by humans under the prompting of the desire and the power. 3. The destruction by humans, such as the series products of plastic, plastic bags are the end of the petrochemical industry, due to that it is not easily biodegradable, but its convenience is the best portrait of modern busy humans. Suffocating performance, when we stopped breathing, we suddenly found that the counterattack by nature. 4. The series of filling the blank of time and space, I use this conceptual image to express that many creatures are attracted to plastic bags, and they ate it and died, and this is indirect harm caused by humans, which means that over time and space changing we are slowly making many species disappear. In the final chapter, I think that we need the “pure” to reach the so-called unity. The key point is the attitude of humans to the nature. Only if we consider that all creatures are equal, and improve the level of spiritual and moral standards, and then we could treat other lives equally. Artistic function is not unitary. It is not only providing important aesthetic enjoyment, but also helping the viewers to understand the society, humans and environment, and also changing the viewers’ ideas. So that I use its future direction to be the subject of the subsequent study. Keywords: Human, Species, Ecological environment, Social, Aesthetic, Utopia