繪畫圖像的時空意識－蘇靜雪創作論述

繪畫，在既定的平面格局展現多元多義現象的同時，也展現創作主體的生活體驗。主體生活於三度空間中的學習與經驗，藉繪畫將之濃縮於二度平面上，繪畫的創造，顯然是一種精神性與時空性的轉化。繪畫是個人生活經驗的轉化、心靈意識的轉依、知識認知的轉換；相對的，繪畫提升了生活、淨化了心靈、豐富了知識。基於這個認知，藝術審美活動才有意義與價值，也基於這個理念的指引，筆者的創作有了正確的方向。此研究分為五章，第一章緒論；第二章時空曲線；第三章心靈形符；第四章創作理念之意象與實踐；第五章結論。從學理、典型，經過探討、分析、思辯成為個人的養分，與個人洞識的創意，作為本創作論述的重點，藉此提升生活品質，謀求墊高個人創作水平，積澱文化成果，是筆者創作的理念與研究的目的。創作經由意象思維與直覺思維的意識轉折，過程中偶發的、突來的歧異總是無可避免的遭遇，導致「理念」與「創作」不能「等質」的局面，乃是研究的限制，在這一局限當中，筆者將不確定的偶然透過創意有了「定相」，即是個人自由、開放的創作領域，得到無限可能的驗証，是本創作研究之發現與啟示。過程中偶發的顯像有時會讓筆者困陷於窘態失意中而無法突破，而導致結果不盡理想。雖然創作結果有時不一定滿意，但真正價值是不滿意後的再提升與企求更進一步的突破與進步。從個人生活在時空過程中之學習與體驗的概念化，化約為意象，指涉心靈狀態；從非具象的抽象形式，通過意識塑造視覺化的圖像，將不同時空中的事件共時性展現，從實踐的實作中體驗理論、微調理念，謀求進步與發現未來探索的新方向，這是本創作研究論述的核心。

關鍵字

時空性；意象思維；直覺思維；抽象

並列摘要

Painting can not only exhibit the multi-entity-and-multi-meaning phenomenon but also show the painter’s life experience on the given plane. A painter lives in tridimensionality, compresses what he or she has learned and experienced on the two-dimensional plane through painting. The painting creation is certainly a conversion of spirituality、space and time. Painting is the reflection of personal life experience、changing dependence of soul consciousness、transformation of knowledge perception; Relatively, painting makes life improved、soul purified、knowledge enriched. Only based on this perception does any art-taste activity have meaning and value, so does my creation have right direction. This thesis is divided into five parts. Chapter 1 is the introduction; Chapter 2 is the space and time curve; Chapter 3 is the soul symbol; Chapter 4 is the imago and practice of creative concept; Chapter 5 is the conclusion. I take exploration 、analysis 、thinking and arguing of studied theories, typical examples as the key points of my thesis, trying to get personal nutrient and apperceiving creative idea, thereby improving life quality, buck for enhancing my creative standard, accumulate cultural achievements , which are my creative concept and researching purpose; creation goes through the consciousness transition of image thought and intuition thought, in the process of which always suffers inevitable、faculative and sudden different meanings, leading to such situation in which “concept” and “creation” can not have “equal quality”. This is the restriction of research, in this restriction, I get “fixation” inspired by the indefinite contingency in life, that is to say, the personal free、open creative field is certified limitlessly. This is the discovery and apocalypse of this creative research. During creation, the facultative raster display sometimes may let me get into embarrassed state and fail to make any breakthrough, causing not too ideal results. Although the creative outcome is occasionally unsatisfactory, the real value is the re-improvement and the desire to re-gain further breakthrough and progress after the unsatisfactoriness. In this thesis, I focus on changing the conception of study and experience in the course of personal space and time life into imago by means of revealing soul status, that is to say, modeling visible pictures extracted from deep soul by consciousness, exhibiting simultaneously events of different space and time; experiencing theories、slightly adjusting thought in practice; striving for progress and discovering the new directions for further exploration.