當代女性時尚之藝術創作研究

邁入二十一世紀的現代社會、女性時尚依然歷久不衰、獨領風騷，主因乃是洞察先機的時裝業者策劃行銷所致。電視、網路媒體和廣告包裝的穿著、打扮、瘦身等風潮深深影響女性的價值觀，並帶動流行風潮。女性的衣著除了滿足自己的愛美之心，裝點自我之外，也成為與別的女人競爭，奪取勢力地位，爭取社會優勢與個人威信的手段。而女性為了某種需求而裝扮自己所形成的服飾美學，即是本論文的重點。當代服飾美感受遺傳因子的影響極小，絕大部分取決於時尚產業、流行文化與後現代主義因素。每個文化群體會各按需要發明觀念和象徵符號，其身體符號可能表示其地位、支配權、群己關係、從事與美感有關的創作、增加性吸引力的方式，或其他尚未知曉的用意。本論文的重點乃是探討時尚對當代女性的影響、以及女性時尚與服飾美學之間的密不可分的連帶關係，並透過創作的手法表達個人對當代流行時尚的看法在第一章的緒論中，分別說明了本創作研究論述的動機與目的、方法與架構、與研究範圍與限制及名詞釋義(時尚、後現代主義的性質、女性主義)。第二章為當代女性時尚與後現代主義的影響，分別介紹時尚相關文獻探討、後現代主義對女性時尚的影響、當代女性時尚相關文獻探討。第三章為創作學理基礎，介紹複合媒材、新藝術、克林姆之畫作分析及當代女性藝術作品的裝飾性。第四章為創作理念與實踐，主要介紹創作理念、整體作品解析、個別作品解析、參考作品解析，第五章為本論述的結論，分別說明時尚對當代生活的影響及時尚與藝術創作的關係，並展望未來創作發展的可能。關鍵詞流行、後現代主義的性質、女性主義

關鍵字

流行；後現代主義的性質；女性主義

並列摘要

With modern society has entered into the 21st century, female fashion is still popular, the main reason is that fashion business undertakers predict future trend and carry out promotion and marketing. The fashion trend of dressing, making up, and weight-reducing guided by TV, on-line Medias and advertisements has deeply influenced women’s value system. Women pay attention to clothing except for meeting their own love for beauty and making themselves looks beautiful, it is also a means of competing with other women, seizing higher position, and winning social dominance and personal prestige. The clothing aesthetics formed by that women dress up themselves for some demands is key point of this thesis. Modern clothing aesthetics is affected very little by genic factors, but affected most by fashion industry, popular culture and post-modernism factors. Each cultural group will invent ideas and symbols according to its demands. Body symbols may show one’s social position, domination right, relationship with others, undertaking creations related to aesthetics, the mode of increasing sexual attraction, or other unknown meanings. The key point of the thesis is to discuss fashion’s impact on modern women, the inseparable connection between feminism fashion and clothing aesthetics, and the manifestation of personal viewpoints about modern popular fashion by the means of creation. In the preface of Chapter One, the study’s intention and aims, methods and structure, research range and limit, and definition of words (fashion, post-modernism, and feminism) are respectively explained. Chapter Two is about modern feminism fashion and the impact of post-modernism; it respectively introduces documents and discussions related to fashion, the impact of post-modernism on feminism fashion, and female fashion. Chapter Three is about theoretical basis of creation, it introduces compound media materials, Art Nouveau, the paintings analysis of Klimt, and the decoration of modern feminism artistic works. Chapter Four is about creative concepts and practice; it mainly introduces creative concepts, overall works analysis, individual works analysis, the explanation of referenced works. Chapter Five is the conclusion of the study; it illustrates the impact of fashion on modern life, and the relation between fashion and artistic creation, and expects the possibility of future development of creation. Key Words: Fashion, Post-modernism, and Feminism