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  • 學位論文

自我情緒之圖像記錄研究

Study on Self-emotion Image Record

指導教授 : 劉文三

摘要


「自我情緒之圖像記錄研究」之創作是筆者有感於生命的時效性,為尋求生命中各個階段所存在的價值,藉由自己本身的生活經驗為觀察的對象,力求呈現生活當下的情緒狀況反應之意涵。 亦即,從生命歷程出發,自我生活型態為切入點,表達在潛意識中被理性所控制的複雜情緒,探究內在情緒之於外顯行為的精神性與美學涵養。希望此創作研究在理念與理論兼具下得以完善地詮釋各個時期的內在情緒之圖像,並重新省思、體悟,生命的難能可貴之處及存在的美感與價值。 基於如此理念,將本創作研究分為以下之綱要: 第一章 緒論:闡述研究動機、研究目的、研究方法與應用的概述。 第二章 西方繪畫中的自畫像思維特徵與創作精神:此章節內容屬文獻探討的部分,就文獻的整理與歸納,探究在藝術史上之藝術創作者的創作圖像之於背景生活的身、心靈層面意涵。不僅提升創作者內在思維的提升,更是幫助創作者在創作與理念之執行上更能找出適當、貼切的圖像語彙。 第三章 「自我情緒之圖像紀錄」創作理念與創作實踐:本章節從自我圖像訊息與特徵為出發,作為創作理念的起點;再藉由「創作技法應用」、「書法性線條應用」與「甲骨文圖版應用」作為創作技法的表現;最後就《食不下咽系列》、《悠然暢寄系列》、《裙襬歡愉系列》、《海邊省悟系列》四個主題的階段性創作,呈現整個創作過程與創作實踐。 第四章 「自我情緒之圖像」創作品解析:本章分為三大部分,第一節《階段創作品概述》,統合所有的創作品,就創作的時間、技法應用與色彩表現作概述;第二節《主要創作品解析》,列舉七件主要作品,詳加說明創作理念、主題內容、形式技法與總體表現。第三節《參考作品欣賞》提出所有創作期間的參考作品,以供觀賞者比較與參考。 第五章 結論:從整個創作研究的起、承、轉、合中,提高了個人的創作思維與能力,就創作實踐的整體性說明-繪畫創作結合內在情緒表現,得以呈現「心靈的語彙」及「生命的價值與美感」。解開生命意象的枷鎖,「追求夢想」、「把握當下」、「及時行動」;充實繪畫的色彩與技法之表現,不斷精進與成長,是未來創作的展望與期許。

並列摘要


The writer wrote ‘Study on Self-emotion Image Record to express her feeling of the timeliness of life and seek for existing value in every stage in life by taking herself life experience as observational objects, so as to manifest the implications reflected by emotional conditions of current life. That is to start from life course, take self-lifestyle as entry point, express unconscious complicated emotions controlled by rationality, and explore the spirituality and aesthetic culture of external behavior impacted by internal emotion. I hope this creation study can perfectly explain the images of internal emotion at every stage under the condition of possessing both theory and concepts, and try to reflect and understand valuable points of life and existing aesthetic feeling and value. Based on the above concepts, the study is divided into the following outlines: Chapter One: Introduction: elaborate research motivation, purpose, methods and applications. Chapter Two: Self-portrait thinking trait and creation spirit in western paintings: the content of this chapter belongs to literature review part. In this part, documentation is sorted out and summed up to explore art creators’ creational images on body, heart and soul level implications of background life in art history. It is not only to upgrade the internal thinking of creators, but also help creators to find out suitable and appropriate image language on the implementation of creation and concept. Chapter Three: The creational concept and practice of ‘Self-emotion Image Record’: the chapter starts from self-image message and traits, which are used as the start point of creation concepts; then Application of Creation Skills, Application of Calligraphy Lines, and Application of Oracle Bone Inions Chart are used as the manifestation of creation skills; at last, the creational course and practice are manifested through staged creation of four subjects-Eat but Could not Swallow Down Series, Leisurely Express Series, Happiness of Swaying Skirt Series, and Seaside Awareness Series. Chapter Four: The creational works analysis of ‘Self-emotion Image Record’. This chapter is divided into three big sections. Section One: Overview of Staged Creational Works, which integrate the overview of creation time, application of skills, color manifestation of all creational works; Section Two: Analysis of Main Creational Works, in which seven main works are used as examples to explain creation concepts, subject content, forms and skills, and overall manifestation; Section Three provides all works that were used as reference during creation period for audiences to compare and make reference. Chapter Five: Conclusion: Increase personal creation thinking and capacity from the beginning, continuation, transfer, and combination of the overall creational research; explain the combination of painting creation and internal emotion manifestation on the basis of the integration of creational practice, so as to show ‘heart and soul language’ and ‘life value and aesthetic feeling’, unbind the chains of life images, ‘pursue for dreams’, ‘seize the moment’, ‘take action timely’, supplement the color and skill manifestation of paintings, and keep on making progress, which are the prospect and expectation for future creations.

參考文獻


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