鏡畫論—陳怡君創作論述

摘要鏡畫論—陳怡君創作論述本創作「鏡畫論」研究論述，是從理論層面與生命體驗中，建立個人的創作理念，透過實踐層面的圖像體現意旨。筆者依憑學域史科理解美學脈絡，從理論層面進入探討作品表現之意涵，取得創作表現的合法性。藉由相機鏡頭通過矯飾、拼貼、擬仿、蒙太奇等途徑，於塑「照」之間拼組自我意念，隱喻、象徵生活光怪陸離的一面，揭示表象與真實相互間的詭蹫幻象。筆者創作的訴求點是異化變質產生的圖像氛圍。第壹章緒論：動機：來自機械文明入侵所帶來不需加以思考的內容物，媒體新聞一時轟動「腳尾飯」的劇情，透過不同思想與閱讀方式，顯然是遭遇刻意誘導而斷裂情境，圖像與真實之間即存在著一層層的斷思。目的：是透過創作與不斷的思考過程，傳達出自我意識想法，企圖呈現一種僵化造作的異質精神，省思自己、認識自己、再透過藝術創作過程表現中，探索出自己心靈活動的潛在意識。成為為筆者創作的研究目的第貳章理論基礎與文獻探討：指出學域脈絡、美術史、美學的相關史料，說明此創作研究的藝術史上的演變。說明歐洲十六世紀中葉，開始一種新的繪畫風格，稱之為「矯飾主義」，後期演變成雙重意義，加以論述。蒙太奇（montage）：科學及實用性的攝影，把影像（照片）作為素材予以加工，成為符合現代藝術創作的媒介。在電腦科技下創造出的虛擬實境中，影像創作者是否該依循傳統方式作為創作途徑。影像錯置的詭覺與悟覺：自我異化的拼置策略，從詭讀的悟入、覺悟，釐清了渾沌，開啟了真相，引領自己進入創作領域，回應時代亂相。第参章創作理念與學理基礎：呈現與再現，異化或質變，真我？非我？本來「虛擬假像」的圖像創作，存在著幻象、弔詭性質。解放「母親意象」的模式，卻靈魂附體般地反映情緒與幻象鏡子，對既存形象進行挪用、複製、錯位、拼接的「改造」，反而，矯飾造作所衍繹出來的嘲諷、暗喻，成為本創作探究的思維背景與創作的核心。第肆章「鏡畫論」的創作實踐：攝影自從1839年發明以來，經過發展，遂有扮裝自拍創造身體意象的作品。如：卡恩扮裝拍像與攝影蒙太奇，深受達達與超現實主義影響，孕育了豐碩的扮裝文化，以喬裝的形象來攻擊理性與真實，反叛傳統的另類，留給後代許多啟示。筆者從這脈絡切入，透過創作實踐的過程，從詭態、異質身體、嬉皮的方式呈現，以歧異化的感受為審美的滋生延宕。第伍章結論：在研究的過程中，創作理念與實際作品之間相互影響著，敘述探討個人創作理念之意涵及其實踐。筆者透過創作中顯露出自身看待真實生活的態度，體現在身體與環境空間的對應關係上，並闡述筆者予以傳達的思想概念。對此研究的總結和未來創作方向的省思，綜合上述各章節的分述，筆者於理論和創作過程中，得到珍貴的結論簡述如下：一、透過哲學理論的探討，更深刻體驗到人生意義。二、改變原始意涵，追求新形象的探求。關鍵字：矯飾、蒙太奇、擬仿、質變體。

關鍵字

矯飾；蒙太奇；擬仿；質變體

並列摘要

Abstract Mirror Picture Theory —Chen，Yi - Jun Creation Exposition For the creation exposition of the thesis “Mirror Picture Theory”, I set up my personal creative concept on the theoretical layer and life experience, permeate practice-layer picture to reveal its intention. I understand aesthetics skeleton depending on branches of groves of academe, theoretically probe into the meaning which works try to express, in order to get the validity of creative representation. By means of manner、collage、simulacres、Montage, etc. through camera lens, I piece my self-consciousness and ideas together when figuring out the sense of photographing to metaphor、symbolize the bizarre and motley side of life, expose the cheating and deliberately mystifying idolum between ideas and reality. My starting point of creation is: the picture atmosphere produced by alienation deterioration. Chapter 1 Introduction: My motivation is the needless-to-think-about contents brought by mechanically civilized invasion, the gut of “ Jiao Wei Meal” popular at some time in media news, the broken situations suffered by intentional inducement by different thoughts and reading fashions, the unilateral ideas existing between picture and reality. My purpose is to convey self-awareness and ideas by creation and consistent thinking, attempt to present rigid、artificial heterogeneity spirit, explore the potential consciousness of my soul activity by self-questioning、self-understanding in the course of artistic creation. Chapter 2 Theory Base and Literature Probe Point out the skeleton of groves of academe、the history of fine arts、the relevant historical materials of aesthetics, explain the evolvement of this creative research in artistic history, illustrate that a new painting style started in the middle of 16th century in Europe, which was called “Mannerism”, later changed into double meaning, and discourse upon the above-mentioned topics, Montage: scientific and practical photography, take image as material to process, become the medium in accordance with modern artistic creation. In virtual condition created under computer technology, whether image framer should follow traditional mode as creating approach. The cheating and deliberately mystifying feeling and realized sense of wrongly placed image: putting and placing strategy of self-alienation, understanding 、realizing from cheating and deliberately mystifying reading makes the chaos clear 、the truth unsealed, taking myself into the creative field in answer to the disorder of the age. Chapter 3 Creative Concept and Academic Theory Base Look at such terms as: presentation and recurrence, alienation or alteration, real me? Nonego? The originally “virtual and suppositive ” picture creation has the nature of idolum、suspension cheating and deliberately mystifying. Liberate the mode of “mother image”, but reflecting emotion and idolum mirror as soul is accessory to the body, to peculate、copy、 wrongly locate、 put together the existed image produce satire、metaphor due to such manners, which become the thought background and the core of this creation. Chapter 4 Creation Practice of “ Mirror Picture Theory ” Through development, photography has such works as makeup self-taking to create body imago since it was invented in 1839. For example, Cahun makeup to take picture and photo montage, deeply influenced by Da Daist and surrealists, gestate plentiful and substantial makeup culture to attack logos and reality with disguised image, rebel traditional dissidents, leave future generations more apocalypse. Through creative practice process I cut in from this skeleton, present in cheating and deliberately mystifying attitude, heterogeneity body, hippie style, delay for the growth of aesthetics in different tastes. Chapter 5 Conclusion: In the course of research, the creative concept and the practical works influence each other, I narrate the meaning and practice in exploring personal creative concept. I unfold my attitude towards actual life through creative works, reflect on the corresponding relation between body and environmental space, and expound the thought and concept that I want to express. By summarizing this research and thinking about the future creative direction, integrating what have been explained in above chapters, I have reached valuable conclusions based on theory and creative process, which are simply stated as below: 1.Profoundly experienced life significance through philosophical theory exploration. 2.Change the original meaning to pursue new image searching. Keywords: Manner, Montage, Simulacres, Modification of Quality