- 學位論文
迷思—台灣現代彩墨人物畫意象之創作研究
Myth - Study on the image creation of Taiwan modern figure painting in Ink and Color
摘要
迷思—台灣現代彩墨人物畫意象之創作研究 摘 要 本創作研究論文之形成，乃以個人對於當代社會現象的觀察與體認出發，試圖自社會事件的迷思表象中，窺探隱含在其背後的思維與價值觀，並結合視覺創意以「想像」、「超現實」、「虛實」等彩墨表現手法，呈現當代社會人文意象並體現人文價值的存在。基於此，本文的主要研究目的為下列幾點： 一、透過意象、象徵、超現實等領域的理論探討，建構個人之創作理念。 二、探究「迷思」與「意象」之創作意涵，發展個人水墨創作理念。 三、以水墨創作實踐、驗証創作理念，使之具體詮釋「迷思」─台灣現代彩墨人物畫意象之兩個系列作品：一、「迷惑與墮落」；二、「期待與關懷」。 四、透過創作系列作品之省思與探討，拓展心靈視野與未來創作方向。 在理論建構上，運用藝術史研究法、品質思考法、理論分析與綜合法、行動研究法等，探討水墨畫創作中有關「迷思」與「人物畫意象」之間所衍生之問題焦點，找尋藝術創作相關理論及創作實例，融合個人對生命觀點與創作經驗之省思。藝術創作需藉由理論的探索與創作實務的相互佐證，才能彰顯藝術創作的價值。以下就筆者之論文研究架構內容作概略性的簡述： 第一章 緒論：闡述創作動機與目的、研究方法與步驟、研究範圍與限制及名詞釋義，以釐清創作研究之方向。 第二章 學理基礎：透過對於中西藝術史、藝術理論的探討與前人作品之圖像分析，了解自我與前人創作表現方式的不同，進而統整創作理念與創作實踐。 第三章 創作理念與實踐：創作理念的要點：一、超現實意象的呈現；二、當代筆墨與色彩的體現； 三、創新求變的形式表現；四、人文精神的探尋及反思。創作表現形式的特徵： 一、現代奇異人物的意象寫真； 二、呈現時代氛圍的彩墨情感； 三、超現實意象的空間展現； 四、體現水墨的虛實統合。 第四章 作品詮釋：先作總體作品概要分析，並對主要創作作品七件進行詮釋，包含創作理念、學理基礎、內容形式、材料技法與總體表現等五大項。 第五章 結論：對本創作研究的總結及未來創作方向的省思。 綜合論文各章節的論述，筆者於理論與創作的探究上獲得許多寶貴經驗與體悟，簡述如下： 一、本論文透過社會現象與事件的探討，透過意象、象徵、超現實等藝術形式，將其轉化為視覺形式體現當代人文精神與藝術價值。 二、藝術創作必須加入時代的精神、新的創作元素與多元媒材的整合運用，才能表現藝術創作的多元性與可能性。 三、藝術創作的獨特性，來自於個人對生命與社會的敏感度，亦是一種個人情感意象轉化創新的呈現。經由「迷思」與「意象」之理論探究與創作實踐，呈現出藝術創作與當代社會的共相與殊相之關連性。 四、藝術之可貴在對生命本質與人文價值的省思，從「迷惑與墮落」、「期待與關懷」系列創作中，深入探索社會現象的核心，體現生命存在之價值，如此創作內涵的豐富與多元性才能延續和發展。 五、「學貴乎精」，唯有不斷的嘗試媒材的試驗與表現形式的創新並透過理論的探討與研究，藝術創作的內涵才能更為豐富而多元化。 關鍵字：迷思、意象
並列摘要
Myth - Study on the image creation of Taiwan modern figure painting in Ink and Color Abstract The creation of this study was based on my observation and experience on contemporary social phenomenon. I'm trying to explore the thinking and values hidden under the surface of social phenomenon and present the image and value of contemporary social humanity by the combination of visual originality and ink & color factures such as "image", "super-reality”, “emptiness and solidness" etc. Basing on these points, the main study purposes of this article as follows: I. Build individual creation logos by academic approach in the fields such as image, symbol and super-reality etc. II. Study the creation meaning of "myth" and "image"; develop individual inkwash creation logos. III. Verify the creation logos by inkwash creation practice and explain "myth" - two series of works of Taiwan modern figure painting in ink and color image: 1."Puzzle and Depravity" and 2."Expectation and Concern". IV. Widen spirit visual field and future creation range by thinking and discussing of the creation series works. I will use art history research method, quality consideration, theoretical analysis, synthetic method and action research method etc to discuss the focus problems derived from inkwash painting creation related to "myth" and "figure painting image" and explore the theories and creation examples related to artistic creation and combine them with my standpoints on life as well as thinking on creation experience. The value of artistic creation can only be presented by the interactive evidence of theoretical exploration and creation practice. Following, I will make a brief introduction of the structure of my study content: ChapterⅠ Exordium: expatiate on creation motivation and purpose, study method and procedure, study range and restriction as well as terms explanation so as to clarify the study direction of creation. ChapterⅡ Academic basis: find out the difference of creation expression modes between self and predecessors and then integrate creation rational concept and creation practice by discussing Chinese and Western art history and art theory as well as analyzing predecessors' works. ChapterⅢ Creation rational concept and practice: key points of creation rational concept: I. The expression of super-reality image; II. The expression of contemporary writing and color; III. The expression of innovation mode; IV. The exploration and reflection of the spirit of humanity. The features of creation expression mode: I. Image portrait of modern eccentric; II. Express the inkwash feeling in era atmosphere; III. Spacial expression of super-reality image; IV. Present the combination of emptiness and solidness of inkwash. ChapterⅣ Work explanation: First of all is to make overall work summary analysis and then explain seven pieces of primary work in five aspects such as creation rational concept, academic basis, content and mode, material skill and overall expression etc. ChapterⅤ Conclusion: conclude this creation study and consider future creation direction. After synthesizing the discussion of each chapter, I have acquired a lot of precious experience and apperception from the study of theory and creation, which are briefly described below: I. This study has transformed social phenomenon and events to visual expression mode and reflects contemporary humanity spirit and artistic value by discussing social phenomenon and events. II. Artistic creation must have era spirit, new creation elements as well as the combination and application of various materials so that the variety and possibility of artistic creation can be presented. III. The unique feature of artistic creation comes from individual sensitivity to life and society; it's also a kind of expression transformed from individual emotion image to innovation. Explain the relation between common points and special points of artistic creation and contemporary society by studying the theory of "myth" and "image" as well as creation practice. IV. The value of art lies in thinking life essence and humanity value; explore the core of social phenomenon deeply and express the value of life existence from series creation of "Puzzle and Depravity" and "Expectation and Concern"; only the creation riches in implied meaning and variety can be extended and developed. V. “The value of learning lies in proficient". Only by trying different source materials and innovation of expression modes constantly and discussing and studying theory, can the implied meaning of artistic creation richer and more diversified. Key words: myth, image