月之意象水墨創作研究

A study on the Image of Moon in Chinese Ink Painting Creation

高小棻(Xiao-Fen Kao)

指導教授 ： 蔡茂松

長榮大學/人文社會學院/美術系(所)/碩士(2012年)

https://doi.org/10.6833/CJCU.2012.00163

摘要

本論文旨在研究「月之意象」的美學意涵，並將所獲得的觀念、想法應用於個人的水墨創作實踐上。首先，就藝術史上溯源，使「意象」的概念得到明確的說明與詮釋的學理基礎；接者探討古今文學上對「月」的各種境界，並加以分類整理；最後，透過個人之作品進行反省與闡述，期能深入說明「月之意象」於筆者之繪畫理念確立的特殊意義。
本研究應用了文獻探討法、藝術史研究法及實踐分析法，透過蒐集美術理論專書與中國文學作品，發掘出月意象在藝術上的意蘊，從中分析、歸納月亮的意象種類，並將「月之意象」彙整為三個層次，分述說明之。
全文的總體分為五個部分作論述，第一部份為第壹章緒論說明了創作動機與目的，以及研究方法與步驟。第貳章文獻探討是以文學作品與美學理論為基礎，針對不同層面的月之意象加以論述。第参章創作思維的建構則是對月夜創作作更深一層的探討，闡述創作內容、創作理念及創作形式。第肆章作品解析則是挑出較代表性的七件作品分別解說創作理念、學理基礎、內容形式、材料技法及總體表現。最後第伍章結論與建議做了整體的心得與收穫和期望與建議。
繪畫創作是一條永無止境的歷程，希盼藉由本創作論文及實踐繪畫的過程，提升自己在水墨創作的精神內涵及技法，期許自己以寬容包容的心胸吸納各種藝術表現的方法，繼續另一段新的挑戰。

關鍵詞:水墨、意象、月

關鍵字

水墨 ； 意象 ； 月

並列摘要

A Study on the Image of Moon in Chinese Ink Painting Creation
Abstract

This thesis is a study of the aesthetic idea of the image of moon and it was applied to my personal creation of Chinese ink painting. First of all, from the source of art history, the concept "image" was identified clearly and it was interpreted by the theory. Second, I would like to discuss the art of moon and to sort it out throughout the literature of the world. Lastly, I tried to reflect and explain deeply the particular meaning of the image of moon from my work.
I applied Literature Review, Methodology of Art History, and Analysis in my study. By the books of theories about art and Chinese literature works, I realized the implication of the image of moon, and tried to analyze and classify it to three levels. They are as follows.
There are five parts in this article. Chapter one is an introduction which describes my creative motives and the methods I use in this study. Chapter two is Literature Review which is based on the theories of literature works and aesthetics. Chapter three is about my artistic creation ideas with further researching on the content, concepts and forms of the moon night. Chapter four is seven works which are representative of the creation of ideas, the theoretics basics, content and form, materials and skills, and so on. Chapter five concludes my reflection, expectations and suggestions.
In short, Chinese ink painting is endless. By this creative process, I hope to enhance the content and skills of Chinese ink painting, and to be more tolerant of accepting different ways to express art.

Keywords: Chinese ink painting, image, moon

並列關鍵字

Chinese Ink Painting ； image ； moon

參考文獻

34. 莎士比亞，孫大雨譯《奧賽羅》，臺北，1999年，聯經。

3. 陳器文〈自月意象的嬗變論義山詩的月世界〉《中外文學》（第五卷第二期，1976年7月）。

6. 黃琛雅〈東坡詞月意象探析〉，2003年，國立臺灣師範大學，國文系在職進修碩士學位班，碩士論文。

一、 專書

1. PHILIPS.HARRINGTON著，洪家輝譯《日蝕與月蝕》，臺北，1998年，寰宇。