陳仁倩花鳥畫之創作研究

本文旨在探討花鳥畫之創作研究，從台灣本土寫生的植物花卉來成為創作的元素，從大自然出發，以工筆花鳥來詮釋這塊土地的寫生表現，藉由綜合古代幾位花鳥畫家的理念和作品，以及台灣幾位花鳥畫家的寫生作品，來實踐筆者的創作。本論文共分為五個章節，重點概述如下:第一章為緒論，分別為研究動機與目的、研究方法與架構、研究範圍與限制，以藝術史分析法、作品分析法、歸納分析法，印證本論文的思考創作發展。第二章為文獻探討，從歷代花鳥畫的發展以及重要相關的文獻資料，由唐五代衍生出的花鳥畫文獻，並且在台灣這塊土地上尋找前人資料，這些畫家留下的台灣情感與作品，奠定屬於台灣的花鳥畫，並做為花鳥畫創作的研究基礎。第三章主要在講工筆花鳥畫的創作理念與實踐，筆者在這章節所提到的觀點，由寫生來延伸到寫神，其中分為三點來說明: 一、從宋代花鳥畫看寫生二、由形寫神三、白描寫生，從這三點延伸出屬於自己的藝術創作觀。說明了自然與人之間的關係，強調寫生對於筆者的重要性。第四章作品解析，將筆者研究所期間的作品，挑選七件作品，分別從創作理念、學理基礎、內容形式、材料技法、總體表現五個層面來加以解析。第五章則為創作研究之心得與結論，以及未來創作方向與期望。現在水墨畫的風格多元多變，工具技巧也日益進步，花鳥畫也該順著時代精神的演進來推向更美好的前景，但是身為一個正在起步的花鳥畫家而言，應該遵循傳統古人的技巧與學習態度，正如本篇論文，先從歷代的花鳥畫來探討，進而在探討台灣的花鳥畫家帶給本土的影響，筆者從寫生入手，再精進自己的累積繪畫基礎，日益成熟再來開創屬於本身的藝術觀，期盼在台灣水墨畫創作發展中，盡一己之綿力。

關鍵字

花鳥畫

並列摘要

The thesis is basic on Taiwanese plants and flowers to creation of the flower-and-bird painting. From nature, it shows the land lively by meticulous flower-and-bird painting. To achieve the author’s creation ideas, it combines ancient and Taiwanese painters’ creation ideas and paintings. The first chapter, introduction, includes research purpose, research method and structure, field and limitation. The second chapter, literature discussion, it’s basic on develop and important literature of all previous dynasties painters which including the Tang dynasty painters. The third chapter, theme of creation and creation practice are presented, to paint from life or natures developing convey the spirit with images. It explained with three points: One, realizing paint from life or natures from the flower-and-bird painting of the Song dynasty. Two, convey the spirit with images. Three, outline drawing. By the three tips extend the author’s creation ideas. The forth chapter, creation analysis and interpretation, seven pieces of creations by the author are examined and analyzed from the perspectives of theme, theory, content and form, material and techniques and overall presentation. The final chapter is conclusion. It combines the research attainment, creation direction and expectation of future. For the research aspect, it used literature, history and theory to establish the author’s scientific theory foundation. Then show the tips on the paintings by the author. Ink and wash painting is becoming diversification, and so does the flower-and-bird painting. Be a primary painter, the tradition previous dynasties painters whom are followed and learned by me. I hope that I can initiate my own creation ideas, and developing in Taiwanese painting world.