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  • 學位論文

東方女性繪畫之創作研究

A Research on the Creation of Paintings of Oriental Females

指導教授 : 劉文三
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摘要


本研究的主旨在於呈現東方女性繪畫之美,突破傳統,以造形、裝飾的風格表現,取東西方女性繪畫之優點、元素,並分析東方色彩、東方女性特質、東方紋飾與造形誇張表現其趣味性。 本論文分為六章,一、說明此創作的研究動機、研究目地、研究架構、研究方法與範圍等。二、對於文獻資料加以探討分析,列舉出以女性為繪畫題材,並兼具東方文化特色之作品,而分析的作品以藝術家所在的地域性分類,中國、日本(東方)為主,歐美(西方)為副的研究。三、將東方女性風格之元素進行研究分析,藉此說明傳統與現代東方女性服飾的差異,從中了解東方服飾與東方色彩之特色。並舉例以描繪穿著東方服飾女性的繪畫作品,分析傳統與現代東方女性的特質有何改變?女性藝術家對於創作觀念上有何獨道見解?四、提出與創作相關之藝術原理,將本創作所運用的相關藝術原理與法則,一一加以說明印證。五、對於本創作之特定作品,加以分析說明創作敘述、內容、理念與作品形式。六、結論,對本文進行統整與評述,加入個人心得與觀點,得到研究成果。

關鍵字

女性特質 東方色彩 裝飾

並列摘要


The purpose of this research is to present the beauty of the paintings of oriental females, which break through the traditions and combine the advantages and elements of the paintings of oriental and western females through the style of gesture and decoration, and to analyze the oriental colors, oriental female characteristics, and the exaggerated, interesting gestures. This paper is divided into six chapters. Chapter 1 describes the motivation, purpose, structure, method and scope of the research. Chapter 2 analyzes the literatures, lists the paintings of female characters that combine the characteristics of oriental and western cultures. The works analyzed are classified by the region of artist. Most of them are works of artists in China and Japan (the orient), and a few of them are works of European and American artists (the west). By analyzing the elements of the style of oriental females, Chapter 3 introduces the differences between the dressings of traditional and modern oriental females, so as to understand the characteristics of oriental dressing and oriental colors. Besides, examples of paintings of females in oriental dressing are taken to analyze the changes in the characteristics of modern oriental females compared to traditional oriental females and the unique opinions of female artists in art creation. Chapter 4 brings forward some principles related to art creation and verifies the art principles and laws used in this creation one by one. Chapter 5 interprets the description, content, idea and form of the works. In Chapter 6 Conclusion, a review of the paper is made and some conclusions are drawn based on the personal opinion of the author to present the result of the research.

參考文獻


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劉文潭(1967)。現代美學(初版)。台北市:台灣商務印書館。
劉文三(1972)。藝術的視覺心理。省立台南師範學專科學校「學報第四期」抽印本。
席德進(1980)。現代國畫試探。雄獅美術,117期。
林惺嶽(1980)。大自然的美容師—記最幸福的畫家林之助的生活與藝術。雄師美術,

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