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  • 學位論文

杜潘芳格、利玉芳、張芳慈詩作主題研究

Research on the themes in Fang-Ge Du Pan, Yu-Fang Li and Fang-Tsu Chang’s poetry

指導教授 : 丁威仁

摘要


杜潘芳格、利玉芳、張芳慈過去是笠詩社的三位女詩人,也是女鯨詩社的成員,她們在前者大多發表土地關懷的詩作,而後者所發表的詩作,則多以女性主義、歷史歲月為主。 從書寫的語言來看,三位詩人書寫的語言為華語、客語,具有書寫語言的共同性。本論文將從杜潘芳格、利玉芳以及張芳慈的詩作中,比較各作品中的政治觀、女性思想和人文、地誌書寫,探討三位詩人多樣的風格,以拓展女詩人在現代詩寫作的定位與視野。 筆者根據本研究發現三點:一、杜潘芳格的女性書寫為母性與神性,從兩者探討身分與上帝的薰陶;地誌的移動書寫多以山為描繪,或戰爭背景的刻畫:在政治方面則帶有愛國主義的思想。二、利玉芳的女性書寫從身體視角著手,子題為情慾;地誌詩在各次的詩歌節活動,讓國、內外的作品更顯得國際性;政治觀點則從權力的場域結構出發。三、張芳慈的女性書寫分為女孩、女人和母女為身份區別:地誌方面根據過往劃分為故鄉∕她方作為情感交織的分布:最後的政治詩以反抗敘述時過多年的二二八事件。

並列摘要


Du Pan Fang-Ge, Li Yu-fang and Zhang Fang-Tsu were poetess in "Li Poetrt". They were members in the "Female Whale Poetry Society". They write poems of land care in the former, while write poetry about feminism and The historical years latterly. From the perspective of written language, three poets write poems in Chinese and Hakka. They have the commonality of written language. This thesis will compare the political views, female thoughts, humanities and local records in each work from Du Pan Fang-Ge, Li Yu-Fang and Zhang Fang-Tsu's poems, and explore the diverse styles of three poets to expand the position of female poets in modern poetry writing. According to the research, the author finds three points: First, Du Pan Fang-Ge's female writing is motherhood and divinity, from both to explore the identity and the influence of God; the topology writing of the local history is mostly depicted by mountains, or the depiction of war background. In politics aspects, she have patriotic ideas. Second, Li Yu-Fang's female writing starts from the perspective of the body, and the sub-title is lust; the topology poetry in various poetry festivals makes the works the outside and the inside more international; the political viewpoint starts from the field structure of power. Third, Zhang Fang-Tsu's female writing is divided into girls, women and mothers and daughters. The identity difference is based on the past. Her topology work is divided into the hometown and her side as the emotional intertwined distribution; the last political poetry resists the narration of the the Feb. 28 Incident.

參考文獻


一、 詩集
利玉芳:《活的滋味》(臺北:笠詩社,1986年2月)。
利玉芳:《貓》(台南:台南縣立文化中心,1991年2月)。
利玉芳:《向日葵》(台南:台南縣立文化中心,1996年6月)。
利玉芳:《淡飲洛神花茶的早晨》(台南:台南縣文化局,2000年12月)。

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