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  • 學位論文

宋代假傳研究

A Study of Jiazhuan in the Song Dynasty

指導教授 : 李貞慧

摘要


韓愈〈毛穎傳〉創立了以史為戲、寓物以人的假傳結構與寫作手法,開啟了假傳此一文體的發展。歷來學者多關注唐代的開創之功與明代的全盛之景,然而,宋代作為假傳發展與分化的時期,具有承上啟下的關鍵地位,值得更多關注。本文希望能在前人的研究之上,探索宋代假傳所開展出的不同面貌,並思考造成其變化的可能原因。本文將討論唐代假傳所建立的典型結構,並透過托名蘇軾所作的六篇假傳在題材、內容、結構各方面的變化,探討其對於宋代假傳的啟蒙與典範作用。最後以宋代假傳中的女性傳主形象及影射時政的寫作手法為例,探討宋代假傳寄寓的深意。本文的研究成果彰顯了結構分析、文化研究與互見詮釋作為理解宋代假傳的新視野。

並列摘要


Han Yu’s Mao ying zhuan (毛穎傳) created a new writing style by personifying things and transforming historical writing as means of mocking. Scholars who study Jia zhuan (假傳) used to focus their attention either on the birth of Jia zhuan in Tang dynasty, or on the prosperity of it in Ming dynasty. This dissertation claims that Song dynasty plays an important role in establishing the academic tradition of Jia zhuan, and therefore worth a closer examination. The purpose of this study is to concentrate on the differences of Jia zhuan in Song dynasty and to figure out the reasons that might have caused the differences. First, it analyzed the standard structure of Jia zhuan in Tang dynasty. Second, it looked into the influences of the six fake texts in Su Shi’s name by analyzing the changes in themes, contents and structures. Finally, this study used the images of female biographers and the writing style of political implication as examples to explore the deep meaning in several works. The result of this study confirms that structure analysis, culture investigation and intertextual interpretation are possible new ways to understanding Jia zhuan in Song dynasty.

參考文獻


一、傳統文獻 (按姓氏筆畫排序)
尸 佼,《尸子》,臺北:中華書局,1976。
方 苞,劉季高校點,《方苞集》,上海:上海古籍出版社,1983。
王 溥,《唐會要》,京都:中文出版社,1978。
王 燾,高文柱校注,《外台秘要方校注》,北京市:學苑出版社,2011。

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