風頭水尾：當代濁水溪流域書寫研究──以《守護母親之河：筆記濁水溪》、《帶水雲》、《福爾摩沙對福爾摩沙》、《南風》為例

Contemporary ChouShui River Writing Research─Focusing on "Notes of ChouShui River", "Nimbus", "Formosa vs. Formosa", "South Wind".

黃炳彰(Huang, Ping Chang)

指導教授 ： 王鈺婷

國立清華大學/人文社會學院/臺灣研究教師在職進修碩士學位班/碩士(2016年)

摘要

摘要

本論文以吳晟散文《守護母親之河：筆記濁水溪》、黃信堯紀錄片《帶水雲》、柯金源紀錄片《福爾摩沙對福爾摩沙》、鐘聖雄與許震唐合作之紀實攝影作品《南風》為討論對象。透過四部文學與影像文本，以一個互相參照的研究方法，聚焦討論濁水溪流域出海口的環境倫理議題。

第二章聚焦討論吳晟《守護母親之河：筆記濁水溪》中的環境倫理書寫，耙梳吳晟的創作歷程，試圖提出不同前行論者的詮釋角度，以觀看不同視角的吳晟質樸美學。本章以「水?土?米」三元素歸結《守護母親之河：筆記濁水溪》中的環境倫理，試圖在此論述中重建理想且可行的環境倫理。

第三章以二部環境紀錄片：黃信堯《帶水雲》、柯金源《福爾摩沙對福爾摩沙》並置參照的方式，聚焦討論濁水溪出海口環境正義的議題。此二部環境紀錄片在面對當代濁水溪環境議題時，分屬偏重於美學與政治面向，由此產生相當不同的藝術及政治性影響結果，故筆者將並置二部環境紀錄片，就美學與政治的兩個向度進行討論，期能透過紀錄片的討論，開拓並反思當代環境倫理的可能轉變。

第四章以鐘聖雄與許震唐合作之紀實攝影作品《南風》為討論對象。筆者在此探討紀實攝影的可能與不可能，並提出《南風》在台灣紀實攝影發展中可能的定位為何。同時，分述二位作者聚焦的不同視角：鐘聖雄的「身體論述」、許震唐的「故鄉情感」，並置比較二位作者的主題意識與藝術美學。

在濁水溪流域之中，特別是傳統上稱為「風頭水尾」的沿海貧瘠之地，受到經濟政策與工業發展長期聯合宰制，使得此區域的人與環境皆遭受不等程度的破壞與邊緣化，成為時代進步下的犧牲者。濁水溪作為台灣第一長河，於本文中討論的濁水溪出海口諸多環境議題，可以視為當代台灣環境問題具體而微的體現；從地方的區域環境問題中，也可以照見實際上這是一道國際性的環境命題。透過四部不同形式的文本，再現各自的濁水溪真實，筆者期待一向被視為疏離他者而被破壞殆盡的生態環境，有可能因為人類重新反思彼此間的倫理關係，而有了全新互動的理想情境；生活於此地本屬社會底層而又受到環境變遷影響的弱勢住民，也因為書寫者或鏡頭的凝視，而可以有發聲的可能。

關鍵字

濁水溪 ； 筆記濁水溪 ； 帶水雲 ； 福爾摩沙對福爾摩沙 ； 南風

並列摘要

Abstract

This thesis discusses Sheng Wu "Notes of ChouShui River", Xin-Yao Huang documentary "Nimbus", Jiny-Uan Ke "Formosa vs. Formosa", Sheng-Xiong Zhong and Zhen-Tang Xu collaborative photography "South Wind". Through the four literature and image texts with a cross-referenced research method, I focus on discussing the issue of environmental ethics of ChouShui River estuary.

The second chapter focuses to discuss the environmental ethics in writing of "Notes of ChouShui River", sorts out the creation process of Sheng Wu, and tries to make the different interpretation from previous commentators. In addition, I'll try to find out his rustic aesthetics. "Water, Soil and rice" are attributed to the three elements of environmental ethics in "Notes of ChouShui River". With such attempts, I try to reconstruct ideal and feasible environmental ethics.

The third chapter focuses on the two environmental documentaries, "Nimbus" and "Formosa vs. Formosa," with a comparative method to discuss the issue of environmental justice of ChouShui River estuary. These two documentaries respectively emphasize the aspect of aesthetics and politics, which thereby, comes with distinctively artistic and political influences and results. Therefore, I discuss with the two films from aesthetical and political viewpoints. Furthermore, by discussing documentaries, we anticapate reflections and expantion on the area of contemporary environmental ethics.

The fourth chapter focuses on the documentary photography "South Wind". The author will explore the possibility and impossibility of documentary photography, and the potential position of "South Wind" in the development history of documentary photography in Taiwan. Meanwhile, I will also discuss with the two different perspectives of the two authors—Sheng-Xiong Zhong's "body perception" and Zhen-Tang Xu's "home feeling," with a comparison between their different subjects as well as artistic aesthetics.

Among ChouShui River estuary, because of a long period domination of economic policies and industrial development, people living within have been suppressed and marginalized, and so have the river’s surroundings. Gradually, they fall victims of the civilization. As the longest river in Taiwan, the environmental issue of ChouShui River is actually a small but complete miniature of environmental problems in Taiwan. Meanwhile, an international environmental subject can also been reflected from domestic environmental problems. By disscussing and exploring some subjects in this thesis, I look forward to a brandnew interaction between the ever-devastating ecosystem and its residents just because human beings reflect again on the ethical living. Those aboriginals affected by environmental changes and growing disadvantaged gradually could get a chance to speak up with the gaze of writers or cameras.

並列關鍵字

ChouShui River ； Notes of ChouShui River ； Nimbus ； Formosa vs. Formosa ； South Wind

參考文獻

林明德編，《鄉間子弟鄉間老──吳晟新詩評論》（台中：晨星，2008）。

吳晟，《店仔頭》（台北：洪範書店，1985）。

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曾潔明，〈論吳晟山水散文的藝術表現──以〈日月潭畔〉進行探析〉，《新竹教

奧爾多‧李奧帕德（Aldo Leopold）著，李靜瀅譯，《沙郡年紀》（台北：果力文