摘要
自有文字記載以來，舉凡在台灣書寫的人、事、時、地、物等相關文學作品，甚至遠溯自原住民的口傳神話傳說，都是台灣文學。其中台灣文學的左翼文學思想與運動，在台灣文學史占了重要的現象與位置。特別是二次大戰後，有關台灣左派或日本左派或中國左派更或是歐美左派的文學作家與作品不計其數。---唐文標---一位出身中國的廣東人，在香港接受中學教育，後至美國完成數學博士學位，在歷經保釣運動後，奠定唐文標日後到台灣講學的契機。唐文標以一位數學教授的專業身分，強烈的左派文人思想與評論，輔以實踐行動的哲學，點燃了現代詩論戰之爭端，也開啟了張愛玲事件的風潮。本論文試著描述唐文標的生平與評論，給戰後台灣文學界所帶來的爭論與影響，作一文學史的敘述與定位，並試圖對唐文標燃燒的年代作一系列的探討。
並列摘要
Since there were written records, all of the literary works that depicted the people, things, time, places, objects in Taiwan, and even those far-back works of aboriginal oral myths and legends, can be categorized as Taiwanese literature. In these literary works, Taiwanese left-wing literary thoughts and movements are important phenomena and enjoy a significant status. Especially after World War II, there were a pyramid of left-wing Taiwanese, Japanese, Chinese, or even European and America writers and literary works. A Cantonese man, wen-biao Tang, received middle school education in Hong Kong, obtained a PhD degree in math in the US, and lectured in Taiwan after the Diaoyu Islands dispute. As a math professor embracing leftist literati thoughts and the philosophy of practical actions, Tang aroused the controversy of modern poetry and caused Eileen Chang waves. This study aims to define Tang in the literary history and analyze the Burning Ages by means of describing the controversies and influences on Taiwanese literature after WWII brought by his life and criticisms.