陶淵明是中國文學史上偉大的文學家,他開啟了田園詩派,為隱逸詩人之宗,其代表作之一的〈桃花源記并詩〉更是提供了後世之於理想樂國的無限想像。詩文中所提及的「漁人」、「桃林」、「溪流」、「山景」,以及文中所述及的人物場景,經過時間的累積,形成了所謂的「桃源」意象,陶淵明以後,此文幾已成為理想國度的代名詞。後代不論文人或畫家都曾以此文為根本創作出延伸作品,使文章中所敘述之場景躍然於紙上。 本研究即針對〈桃花源記并詩〉原始文本及詮釋桃花源相關圖卷,研究文字到圖像的轉變,文字與圖像的相互對照與印證。研究方法方面,以文本分析法分析原文,理解詩人隱含於文章之中的寄託,以及歸納出桃源意象之相關象徵語彙;並使用內容分析法,分析出圖卷中的視覺元素及意象表現;最後搭配深度訪談,根據桃源意象之象徵語彙與桃源圖卷相互比對,分析文字語彙與圖像語彙之間的相互關係。
Yuan-Ming Tao was a great writer in ancient China. He was the leader of recluse poet, and initiated the sect of pastoral poetry. The “Peach Blossom Spring” was one of his master-pieces, which provided people lots of imagination of wonderland. As time goes by, some phrases such as fisherman, peach trees, river, and mountains have become the image of so-called “Peach blossom Spring Image”. This literary work almost became synonymous with wonderland. After Tao, many writers and painters created their works based on “Peach Blossom Spring”. This research is going to research how writers and painters transferred words to graphic images, trying to understand what Tao was hiding in the words and generalize the idioms used to paint the image of “Peach Blossom Spring”. Finally, interviews as well as comparisons between the literary text and the paintings are used to analyze the relationship between literature and the “Peach Blossom Spring” pictures.